The Duchess of Wrexe, Her Decline and Death; A Romantic Commentary — John Shaqi
The Duchess of Wrexe, Her Decline and Death; A Romantic CommentaryWalpole, Hugh
History
The Duchess of Wrexe, Her Decline and Death; A Romantic Commentary
Walpole, Hugh
Great Britain -- History -- Victoria, 1837-1901 -- Fiction
Here the temple of the Beaminsters, here, therefore, the shrine of all
that is best and finest in English aristocracy. It was indeed the
largest house in Portland Place, and most of the houses there were
large, but, across that blank austere front more was written than mere
size. It was Age at its most scornful, but observant Age, an Age that
could compare one period with another, an Age that had not forgotten the
things that belonged to its Youth.
There was very little, up and down Portland Place, at morning, at
midday, at night, that the house did not perceive. Those high, broad,
shining windows were not as other windows--there was assertion in their
very bland stupidity.
Within the house was dark and cold, with high square rooms, wide stone
staircase, and a curious capacity for clutching any boisterous or seedy
humanity on the very threshold and strangling it.
From the hall the great stone staircase was the feature. It struck a
chill, at once, into the heart of the visitor so vast was it, so cold
and white, so uncompromising, so scornful of other less solid
staircases. Very ancient, too--went back a long, long way and would
last, just like that, for ever!
What people it must have known, what scenes, what catastrophes
encountered! About it, on either side, the hall vanished into blackness;
here a gleaming portrait, there some antlers, here again an
eighteenth-century gentleman with a full wig and the Beaminster nose and
comfortable contempt in his eyes ... and, around and about it all,
silence; no sound from any part of the house penetrated here.
Up the stone staircase, passages, doors, more family portraits, more
staircase, more passages, more doors and, somewhere, in some hidden
solemnity, the ticking of a clock, so lonely in all that silence that
every now and again it would catch its breath with a little whir, as
though it wondered whether it really could go on in the teeth of so
contemptuous an indifference.
Rachel Beaminster's sitting-room overlooked Portland Place, and caught
the sun on lucky days for quite a time. It was small, square of shape,
like a box with a high window, a tiny fireplace, an arm-chair, and a
squat table with a bright blue cloth.
Always during the two years that had been devoted to "finishing" in
Munich she had had that little room, cosy, compact, before her. Now did
it seem a little shabby, the carpet and tablecloth and curtains a little
faded; it yet had its cosiness, there in the heart of the great waste
and desert that the house presented to her.
The little silver clock on the mantelpiece had struck five: she had come
back with Aunt Adela from the picture gallery, and, hearing voices in
the Long Drawing-room (the voices said, "My dear Adela, we just
came...." "Adela dear, how well...."), she slipped up the stairs and
secured her own refuge, and rang for tea to be brought to her there.
Public-domain text, read in full here on John Shaqi.
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