France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
At the further end of the long gallery the priest led the way into a
large room divided in two by a grating covered with a brown curtain. In
the first, and in some sort of public half of the apartment, where the
confessor left the newcomer, a wooden bench ran round the wall, and two
or three chairs, also of wood, were placed near the grating. The ceiling
consisted of bare unornamented joists and cross-beams of ilex wood. As
the two windows were both on the inner side of the grating, and the dark
surface of the wood was a bad reflector, the light in the place was so
dim that you could scarcely see the great black crucifix, the portrait
of Saint Theresa, and a picture of the Madonna which adorned the grey
parlour walls. Tumultuous as the General’s feelings were, they took
something of the melancholy of the place. He grew calm in that homely
quiet. A sense of something vast as the tomb took possession of him
beneath the chill unceiled roof. Here, as in the grave, was there not
eternal silence, deep peace--the sense of the Infinite? And besides this
there was the quiet and the fixed thought of the cloister--a thought
which you felt like a subtle presence in the air, and in the dim dusk
of the room; an all-pervasive thought nowhere definitely expressed, and
looming the larger in the imagination; for in the cloister the great
saying, “Peace in the Lord,” enters the least religious soul as a living
force.
The monk’s life is scarcely comprehensible. A man seems confessed a
weakling in a monastery; he was born to act, to live out a life of work;
he is evading a man’s destiny in his cell. But what man’s strength,
blended with pathetic weakness, is implied by a woman’s choice of the
convent life! A man may have any number of motives for burying himself
in a monastery; for him it is the leap over the precipice. A woman
has but one motive--she is a woman still; she betrothes herself to a
Heavenly Bridegroom. Of the monk you may ask, “Why did you not fight
your battle?” But if a woman immures herself in the cloister, is there
not always a sublime battle fought first?
Public-domain text, read in full here on John Shaqi.
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