This delightful epistle wafted the familiar perfume of Persian lilac,
and drops of that essence had, here and there, left yellow stains behind
them on the letter, in which the characters had run apart in different
directions. This stale scent, combined with the tasteless, absurdly
sentimental tone throughout this letter from a little, immoral,
red-haired woman, excited in Romashov an intolerable feeling of disgust.
With a sort of grim delight he first tore the letter into two parts,
laid them carefully together, tore them up again, laid the bits of paper
once more together, and tore them again into little bits till his
fingers got numb, and then, with clenched teeth and a broad, cynical
grin, threw the fragments under his writing-table. At the same time,
according to his old habit, he had time to think of himself in the third
person--
"And he burst out into a bitter, contemptuous laugh."
A moment later he realized that he would have to go that evening to the
Nikoläievs'. "But this is the last time." After he had tried to deceive
himself by these words, he felt for once happy and calm.
"Hainán, my clothes."
He made his toilet hastily and impatiently, put on his elegant new
tunic, and sprinkled a few drops of eau-de-Cologne on a clean
handkerchief; but when he was dressed, and ready to go, he was stopped
suddenly by Hainán.
"Your Honour," said the Circassian, in an unusually meek and
supplicating tone, as he began to execute a most curious sort of dance
before his master. Whilst he was performing a kind of "march on the
spot" he lifted his knees right up, one after the other, rocking his
shoulders, nodding his head, and making a series of convulsive movements
in the air with his arms and fingers. Hainán was in the habit of giving
vent to his excited feelings by curious gestures of that sort.
"What do you want now?"
"Your Honour," stammered Hainán, "I want to ask you something; please
give me the white gentleman."
"The white gentleman? What white gentleman?"
"The one you ordered me to throw away--the one standing in that corner."
Hainán pointed with his fingers to the stove-corner, where a bust of
Pushkin was standing on the floor. This bust, which Romashov had
obtained from a wandering pedlar, really did not represent the famous
poet, but merely reproduced the forbidding features of an old Jew
broker. Badly modelled, so covered with dust and fly dirt as to be
unrecognizable, the stone image aroused Romashov's aversion to such an
extent that he had at last made up his mind to order Hainán to throw it
into the yard.
"What do you want with it?" asked Romashov, laughing. "But take it by
all means, take it, I am only too pleased. I don't want it, only I
should like to know what you are going to do with it."
Hainán smiled and changed from one foot to the other.
"Well, take him, then; I wish you joy of it. By the way, do you know who
it is?"
Hainán smiled in an embarrassed way, and infused still more energy into
his caperings.
Public-domain text, read in full here on John Shaqi.
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