Romashov drew his sabre from its sheath, and adjusted his eyeglass with a hesitating movement. He was of medium height, lean, and fairly strong in proportion to his build, but through constitutional timidity and lack of interest not much accustomed to handling the weapon. Even as a pupil at the Military Academy he was a bad swordsman, and after a year and a half's service in the regiment he had almost completely forgotten the art. He raised his sabre high above his head, but stretched out, simultaneously and instinctively, his left arm and hand. "Mind your hand!" shouted Agamalov. But it was too late then. The point of the sabre only made a slight scratch on the clay, and Romashov, to his astonishment, who had mis-reckoned on a strong resistance to the steel entering the clay, lost his balance and stumbled forward, whereupon the blade of the sabre caught his outstretched hand and tore off a portion of skin at the lower part of his little finger, so that the blood oozed. "There! See what you've done!" cried Biek angrily as he dismounted from his charger. "How can any one handle a sabre so badly? You very nearly cut off your hand, you know. Well, that wound is a mere trifle, but you'd better bind it up with your handkerchief. Ensign, hold my horse. And now, gentlemen, bear this in mind. The force or effect of a stroke is not generated either in the shoulder or the elbow, but _here_, in the wrist." He made, as quick as lightning, a few rotary movements of his right hand, whereupon the point of his sabre described a scintillating circle above his head. "Now look, I put my left hand behind my back. When the stroke itself is to be delivered it must not be done by a violent and clumsily directed blow, but by a vigorous cut, in which the arm and sabre are jerked slightly backwards. Do you understand? Moreover, it is absolutely necessary that the plane of the sabre exactly coincides with the direction of the stroke. Look, here goes!" Biek took two steps backwards from the manikin, to which he seemed, as it were, to fasten himself tightly by a sharp, penetrating glance. Suddenly the sabre flashed in the air, and a fearful stroke, delivered with a rapidity that the eye could not follow, struck like lightning the clay figure, the upper part of which rolled, softly but heavily, down to the ground. The cut made by the sabre was as smooth and even as if it had been polished. "The deuce, that was something like a cut!" cried the enthusiastic Lbov in wild delight. "Biek, my dear fellow, of your charity do that over again." "Yes, do, Biek," chimed in Viätkin. But Agamalov, who was evidently afraid of destroying the effect he had produced, smiled as he replaced the sabre in its scabbard. He breathed heavily, and at that moment, by his bloodthirsty, wildly staring eyes, his hawk's nose, and set mouth, he put one in mind of a proud, cruel, malignant bird of prey.