The Duke of Stockbridge: A Romance of Shays' RebellionBellamy, Edward
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The Duke of Stockbridge: A Romance of Shays' Rebellion
Bellamy, Edward
Shays' Rebellion, 1786-1787 -- Fiction
Behind the bar sits Widow Bingham, the landlady, a buxom, middle-aged
woman, whose sharp black eyes have lost none of their snap, whether she
is entertaining a customer with a little pleasant gossip, or exploring
the murky recesses of the room about the door, where she well knows
sundry old customers are lurking, made cowards of by consciousness
of long unsettled scores upon her slate. And whenever she looks with
special fixity into the darkness there is soon a scuttling of somebody
out of doors.
She pays little or no attention to the conversation of the men around
the bar. Being largely political, it might be expected to have the less
interest for one of the domestic sex, and moreover it is the same old
story she has been obliged to hear over and over every evening, with
little variation, for a year or two past.
For in those days, throughout Massachusetts, at home, at the tavern, in
the field, on the road, in the street, as they rose up, and as they sat
down, men talked of nothing but the hard times, the limited markets, and
low prices for farm produce, the extortions and multiplying numbers of
the lawyers and sheriffs, the oppressions of creditors, the enormous,
grinding taxes, the last sheriff's sale, and who would be sold out next,
the last batch of debtors taken to jail, and who would go next, the
utter dearth of money of any sort, the impossibility of getting work,
the gloomy and hopeless prospect for the coming winter, and in general
the wretched failure of the triumph and independence of the colonies to
bring about the public and private prosperity so confidently expected.
The air of the room is thick with smoke, for most of the men are smoking
clay or corncob pipes, but the smoke is scarcely recognizable as that of
tobacco, so largely is that expensive weed mixed with dried sweet-fern
and other herbs, for the sake of economy. Of the score or two persons
present, only two, Israel Goodrich and Ezra Phelps, are actually
drinking anything. Not certainly that they are the only ones disposed
to drink, as the thirsty looks that follow the mugs to their lips,
sufficiently testify, but because they alone have credit at the bar.
Ezra furnishes Mrs. Bingham with meal from his mill, and drinks against
the credit thus created, while Israel furnishes the landlady with
potatoes on the same understanding. There being practically almost
no money in circulation, most kinds of trade are dependent on such
arrangements of barter. Meshech Little, the carpenter, who lies
dead-drunk on the floor, his clothing covered with the sand, which it
has gathered up while he was being unceremoniously rolled out of the
way, is a victim of one of these arrangements, having just taken his pay
in rum for a little job of tinkering about the tavern.
Public-domain text, read in full here on John Shaqi.
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