The Duke of Stockbridge: A Romance of Shays' RebellionBellamy, Edward
General
The Duke of Stockbridge: A Romance of Shays' Rebellion
Bellamy, Edward
Shays' Rebellion, 1786-1787 -- Fiction
In putting all the young men together in one gallery, it may be thought
that some risk was incurred of making that a quarter of disturbance. But
if the tithingman, with his argus-eyes and long rod were not enough
to insure propriety, the charming rows of maidens on the seats of the
gallery directly opposite could have been relied on to complete the
work. The galleries were very deep, and the distance across the meeting
house, from the front seat of one to that of the other, was not over
twenty-five feet. At this close range, reckoning girls' eyes to have
been about as effective then as they are now-a-days, it may be readily
inferred what havoc must have been wrought on the bachelors' seats in
the course of a two hour service. After being exposed to such a fire all
day, it was no wonder at all, quite apart from other reasons, that on
Sunday night the young men found their ardor inflamed to a pitch at
which an interview with the buxom enslaver became a necessity.
The singers sat in the front seat of the galleries, the bass singers in
the front seat on the bachelors' side, the treble in the front seat on
the spinsters' side, and the alto and tenor singers in the wings of
the end gallery, separated by Dr. Partridge's pew. For, as in most New
England churches at this date, the “old way,” of purely congregational
singing by “lining out,” had given place to select choirs, an innovation
however, over which the elder part of the people still groaned and
croaked. On the back seats of the end gallery, behind the tenors and
altos respectively sat the negro freedmen and freedwomen, the Pomps and
Cudjos, the Dinahs and Blossoms. Sitting by Prudence, among the treble
singers, Perez noticed a young Indian girl of very uncommon beauty,
and refinement of features, her dark olive complexion furnishing a most
perfect foil to the blooming face of the white girl.
“Who's that girl by Prudence Fennell?” he whispered to Abe Konkapot,
who sat beside him. The young Indian's bronze face flushed darkly, as he
replied:
“That's Lucretia Nimham.”
Perez was about to make further inquiries, when it flashed on him that
this was the girl, whom Obadiah had jokingly alluded to as the reason
why Abe had lingered in Stockbridge, instead of moving out to York State
with his tribe. She certainly was a very sufficient reason for a man's
doing or not doing almost anything.
Public-domain text, read in full here on John Shaqi.
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