The Duke's Daughter; and, The Fugitives; vol. 1/3Oliphant, Mrs. (Margaret)
General
The Duke's Daughter; and, The Fugitives; vol. 1/3
Oliphant, Mrs. (Margaret)
Fiction
“But,” Winton cried, in his ferocity, “suppose he refuses his consent at
last, as the Duchess thinks, will you venture to oppose him then, or
will you send me away?”
“Ah, never that!” said Lady Jane, looking at him with her soft eyes.
They were not brilliant eyes, but when she looked at him there came over
them a certain liquid light, a melting radiance such as no words could
describe. The light was love, and may be seen glorifying many an
unremarkable orb. It made hers so exquisite that they dazzled the
beholder, especially the happy beholder who knew this was for him. But
he was not satisfied even with that.
“Suppose,” he went on, “that the Duke were to open that door and walk in
now--as he has a good right to do, into his own drawing-room--what would
come of it? Would you take your hand out of mine, and bid me good-bye
like a stranger?”
Her hand indeed slid out of his at the suggestion, and a little tremor
ran through her frame; but the next moment she raised her head and put
her hand lightly within his arm. “If you think I am without courage!”
she said--then added with a smile, “when it is necessary; but at present
it is not necessary.”
“Then you will not, whatever happens, give me up?--not even if the
foundations of the earth are shaken, not even if the Duke says ‘No’?”
he cried, partly furious, partly satirical, catching at the hand which
was on his arm.
His violence gave her a little shock, and the savage satire of the tone
in which he named her father distressed Lady Jane. “You must not speak
so,” she said, with her soft dignity: “the Duke is my father. But you do
not know me if you think that anything will change me.” Then indeed
Winton felt a little ashamed of himself, and began to realise that he
did not yet know all of this gentle creature who was going to be his
wife. She parted with him at the door of the ante-room, and went back
through her mother’s boudoir to her own retirement. Next to being with
the _objet aimé_, being alone is the purest happiness at this stage. She
kissed her mother, who was busy at her writing-table, in passing. The
Duchess was deep in calculation, not how she should make her ends meet,
which was impossible, but how near she could draw them together, so that
the gap might be small. It is a sad and harassing business. She paused
only a moment to pat her child on her soft cheek, and reflect within
herself how beautifying was this love which in youth is full of
enchantment and illusion, and then returned to her figures. When the
ends will meet, what pleasure there is even in the pain of drawing them
together! but when no miracle will do this, when there must always
remain a horrible chasm between! Fifty remained thus at work in the
finance department, while Twenty-eight went lightly away to think over
her happiness. It must be allowed that Lady Jane was not quite young
enough--she ought to have been but twenty, by rights; but her maturity
only added to the exceeding fulness of her enjoyment. There is
Public-domain text, read in full here on John Shaqi.
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