The Duke's Daughter; and, The Fugitives; vol. 2/3Oliphant, Mrs. (Margaret)
General
The Duke's Daughter; and, The Fugitives; vol. 2/3
Oliphant, Mrs. (Margaret)
Fiction
But London is getting worse and
worse.”
“Why don’t you have the gas lighted?” the Rector asked in a querulous
tone. “I have brought something to show you, but there is no light to
see it by.”
“You shall have the light in a moment,” cried Mrs Marston; “that is the
one good thing of gas. It spoils your picture-frames and kills your
flowers; but you can have it instantly, and always clean and no trouble.
There!”
The gas leaping up dazzled them for a moment, and then Mr Marston opened
his book and pointed his finger to the entry. “Look here, Mary--look at
that; did you ever see a name like that before? What do you suppose it
can mean?”
Mrs Marston had to put on her spectacles first, and they had always to
be looked for before they could be put on. She had just adopted
spectacles, and did not like them, nor to have to make, even to herself,
the confession that she wanted them: and they were always out of the
way. The Rector was short-sighted, and had the exemption which such
persons enjoy. He looked upon the magnifying spectacles of his wife with
contempt, and it was always irritating to him to see her hunting about,
saying, “Where have I put my glasses?” as was her wont. “Can’t you tie
them round your neck,” he said, “or keep them in your pocket--or
something?” When, however, they were found at last, he spread the book
out upon the table and, with his finger on the place, waited while she
read. Their two heads stooping over the book under the gas, with the
pale sky looking in at the window, made a curious picture, he eager,
she still fumbling a little to get on her spectacles without further
comment. “‘Reginald Winton,’” she read hesitating, “‘bachelor, of this
parish.’ I never certainly heard of any one of that name in this parish:
stay, it might be the new care-taker perhaps at Mullins and
Makings--or----”
“That’s not the name,” cried the Rector. He would have liked to pinch
her, but refrained. “This is no care-taker, you may be sure; but it is
the other name--look at the other name. Where have you seen it before?
and what is the meaning of it?” Mr Marston cried with excitement. He had
worked himself up to this pitch, and he forgot that she was quite
unprepared. She read, stumbling a little, for the handwriting was
crabbed, “‘Jane Angela Pendragon Plantagenet Fitz-Merlin Altamont,
spinster, of the parish of Billings.’ Dear, dear,” was good Mrs
Marston’s first comment--“I hope she has names enough and syllables
enough for one person.”
“And is that all that strikes you?” her husband said.
“Well--it is an odd name--is that what you mean, William? Very silly, I
think, to give a girl all that to sign. I suppose if she uses it all, it
will be only in initials. She will sign, you know, Jane Angela, or very
likely only Angela, which is much prettier than Jane; Angela P. P.
F.--or F. M.--Altamont, that is how it will be. Angela Altamont; it is
like a name in a novel.”
Public-domain text, read in full here on John Shaqi.
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