The Duke's Daughter; and, The Fugitives; vol. 3/3 — John Shaqi
The Duke's Daughter; and, The Fugitives; vol. 3/3Oliphant, Mrs. (Margaret)
General
The Duke's Daughter; and, The Fugitives; vol. 3/3
Oliphant, Mrs. (Margaret)
Fiction
Janey ran by her father’s side, clinging to his finger, and chattering
all the way. “What are they saying, papa? They speak so funny. Why don’t
they speak English? Couldn’t they speak English if they liked?”
Mr Goulburn was a man who liked to be popular. He was of the class which
servants declare to be “not the least proud.” “My little girl thinks you
could speak English if you liked,” he said, turning to Antoine, the most
noted poacher in the district.
“Ah! je voudrais bien! I should then have the pleasure of talking to
these demoiselles,” the man said, taking off his hat.
“I don’t like him,” said little Janey. “He has a big cut on his head; he
has eyes like the ogre in ‘Jack the Giant-killer.’ What does he want
with you, papa? He will take you into a cave, and he will eat you up. I
like the other one best.”
The other was Baptiste, who was the son of the landlady at the Lion
d’Or. It was he who advised the Côte du Midi. He knew all the coverts as
well as the partridges did, or the old wolf that lurked in the darkest
shades of the forest. And his woodland likings had brought him woe; but
he was bent upon defending _l’Anglais_, who was his private property for
the moment, his mother’s lodger, from the clutches of Antoine.
When they came as far as the _château_, Janey consented to give up her
father’s finger, and to withdraw from the procession of the wood
merchants. The _château_ was not one of those deserted grey houses they
had passed on their way from Montdard, but a fine medieval building,
surrounded by a moat, and modernised under Louis Quatorze. It occupied
three sides of a square, and at the end nearest the village was
distinguished by a noble tower, covered with a pointed roof, from the
windows of which the lights always shone at night, like a sort of
lighthouse to the village. Helen stopped to look at it with a little
quickening of natural interest. There was nothing about it of the luxury
of the English home. It stood close to the road, no privacy of exquisite
lawns or wealthy foliage withdrawing it from the humblest of its
neighbours, a poor little plot of shrubs occupying the centre of the
square within the gravelled drive. The long row of large white windows,
very close to each other, which ran round two sides of the square, were
undraped and unornamented, not a curtain, not a piece of furniture,
showing from the outside. The great door underneath them stood open,
and showed only a narrow corridor, and a bare stone staircase, mounting
between two white walls. Helen stood and looked at it wistfully. She
scarcely seemed to remember her own past life--it was a life which had
no sort of connection with the cottages of Latour, the women in their
white caps, the strange existence of the Lion d’Or; but here there was a
kind of link of connection. If there were girls in the _château_, theirs
might be a French version of her old life. They would be in the
neighbourhood, in the village, something like what she had been. If they
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