Monsieur Peyrolles was a tall, thin, middle-aged man of pale complexion. Like Æsop and like Passepoil, he was dressed in black, as became the confidential servant of a master with many confidences; but, unlike the amorous Æsop and unlike the amorous Passepoil--though the two men were amorous after a very different fashion--his garments were of fine quality and fine cut, with much costly lace at his yellow neck, and much costly lace about the wrists of yellow hands that to a casual glance might, in their affected ease, have passed for patrician. Like Passepoil, he carried a sword, and, like Passepoil, he knew how to use it, although, unlike Passepoil, he was really of a timid disposition, and never engaged in any encounter in which he was not certain that his skill was far superior to that of his opponent. He affected the manners of a fine gentleman, and modelled himself as much as he dared upon the carriage of his master, when his master was not by, and, like the most of such copying apes, he overdid the part. His face was curiously unpleasant, long and yellowish white and inexpressive, with drooping eyelids masking pale, shifty eyes, with a drooping, ungainly nose, and a mouth that seemed like a mistake of nature. When Martine had placed her lantern to her satisfaction upon its Bacchic pedestal, she slipped from the room as quietly as she had entered it, answering as she went, with a glance of disdain, the passion of admiration that glowed in the eyes and twitched in the fingers of Norman Passepoil. The people that kept that evil Inn, the people that served that evil Inn, always left their sinister customers to themselves to kiss or kill, as best pleased them. On the entrance of Monsieur Peyrolles the bravos rose and saluted him ceremoniously. If there was any hidden mockery, any latent contempt, any unconscious hate felt by the brave scoundrels for the cowardly scoundrel in their reverence, it was not evident to the new-comer, who took the greetings with offensive condescension, eying the bandits over the lace edges of his kerchief. Staupitz advanced some few feet to greet him. "Welcome, Monsieur Peyrolles," he said. Then, pointing with an air of introduction to the fantastic, many-colored, huge-hatted, big-booted gang of ruffians ranged about the table, he added, "My children." In the dim light Peyrolles peered derisively at the different members of the party. "They seem a choice set of ruffians," he observed, with the labored impertinence that seemed to him a copy of his master's nonchalance. Staupitz laughed thickly. "No better blades between here and world's end." He pointed first at his comrades, as if to imply that he spoke allegorically; then he pointed to the row of rapiers dangling against the wall, to prove that he also spoke practically and by the card. "After all," said Peyrolles, "that is the important matter. I come to tell you how to earn your pay."