The Duke's Motto: A MelodramaMcCarthy, Justin H. (Justin Huntly)
History
The Duke's Motto: A Melodrama
McCarthy, Justin H. (Justin Huntly)
Adventure and adventurers -- Fiction; France -- History -- Louis XIII, 1610-1643 -- Fiction
If the contrast had been marked between the six men who sat at the table
and the seventh man who sat apart, the contrast that existed between the
two new-comers was still more striking. The first to enter was a big,
jovial, red-faced, black-haired man with a huge mustache and a manner
that suggested an ebullient admiration of himself and an ebullient
appreciation of all possible pleasures. He was habited much like his
predecessors, in that he was booted, cloaked, hatted, and sworded as they
were booted, cloaked, hatted, and sworded, but everything with him,
owing, it may be, to his flagrant Gascon nationality, tended to an
extravagance of exaggeration that made him seem almost like a caricature
of the others. His hat was bigger, his cloak more voluminous, his boots
more assertive, his sword longer, his taste for colors at once more
pronounced and more gaudy. If the others might be likened in their
coloring to faded wild flowers, this man seemed to blaze like some
monstrous exotic. He was a swashbuckler whom Callot would have loved to
paint.
While he entered the room with his air of splendid assurance that
suggested that the Inn belonged to him, and greeted those that awaited
him with such a nod as a monarch might accord to his vassals, he was
followed by one that showed in almost every particular his opposite. This
one, that represented an extreme of Norman character as his ally
represented an extreme of Gascon character, this one that seemed to
shelter timidly behind the effulgence of his companion, was a lean,
lanky, pallid fellow, clad wholly in black of a rustier and shabbier kind
than that worn by the reader in the window. From beneath his dingy black
felt hat thin wisps of flaxen hair flowed ridiculously enough about his
scraggy neck. While his Gascon comrade entered the room with the manner
of one who carries all before him, the Norman seemed to creep, or rather
to slink, in with lack-lustre eyes peering apologetically about him
through lowered pink eyelids, while his twitching fingers appeared to
protest apologetically for his intrusion into a society so far above his
deserts. But if in almost every particular he was the opposite to his
friend, in one particular, however, he resembled him, for a long rapier
hung from his side and slapped against his lean calves.
Public-domain text, read in full here on John Shaqi.
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