Historic buildings -- England -- Nottinghamshire; Nottinghamshire (England) -- Description and travel
In the eighteenth century several quaint ships embellished the lake. The
last, we learn, was broken up more than half a century ago; and, as they
must have seemed singularly out of place, one is not disposed to regret
their disappearance.
OLLERTON
There is one splendid approach to Thoresby, now, unfortunately enough,
barred from the public. To reach this from Ollerton one crosses the
bridge, turns to the right for a few yards, then on the left sees beyond
a stout palisading the celebrated Beech Avenue. The first time I visited
this place was on a stormy evening in August, about sunset-time. The
western sky was overcast with grey low-hanging clouds; at intervals rain
fell in brief showers. Once breathing the atmosphere of this strange
seclusion one forgot the quaintness of Ollerton and the pleasing
wildness of the forest: here the formality brought a suggestion of some
old French colour print--the avenue might have been the state road to
some royal chateau.
[Illustration: OLLERTON]
Four rows of gigantic beeches stretched for almost half a mile from the
roadway; between the second and third might still be seen the old pebble
and gravel drive. The monstrous boles, strangely curved and divided,
were coloured like green-rusted bronze; overhead the branches mingled
like the upper tracery of some ancient cathedral window. There were no
grass or flowers underfoot: the ground was covered thick with last
year's mast and withered leaves--"yellow and black and pale and hectic
red"; sometimes I saw a strange black and grey fungus, large as a fine
lady's fan.
The colouring was magnificent, and yet, looking from the palings at the
farther end (beyond which one sees a green and cheerful vignette) one
realized that something was lacking. The handsome coach-and-six with
white horses and postilions in scarlet coats and white breeches--an
equipage such as is depicted in the engraving of old Worksop
Manor--should always be present in this suggestive place; and even a
wheeled and curtained sedan of the kind fashionable at Marie
Antoinette's Court would not appear incongruous, drawn by one officious
purple-liveried lackey and pushed by another along the side paths. The
Beech Avenue is the only spot in the Dukeries that permits one to
recreate mentally the life of the eighteenth century. It should not
terminate in a roadway of comparatively slight interest, but should
instead reach a water-theatre with a hornbeam hedge, with rockwork
basins, and with tall silver fountains. There is something nobly
pathetic in this deserted avenue--even the trees themselves have a
mournful look, as though they repined because of the loneliness of
to-day. No living thing moves here--it might be a sacred grove, never to
be frequented by creatures of the woodland.
Public-domain text, read in full here on John Shaqi.
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