The Dumpling : $b A detective love story of a great labour risingKernahan, Coulson
General
The Dumpling : $b A detective love story of a great labour rising
Kernahan, Coulson
Detective and mystery stories; English fiction -- 20th century
For a moment he held me thus, and then there was the sound of a laugh.
Whether it was the man then standing before me in the opium den who
thus laughed, or whether it was the man I had seen kneeling on my
chest, a knife in his hand and my life at his mercy, I do not know, and
matters nothing, for the face was the same. Then suddenly he turned
from me, another being altogether.
"No, don't, old man; think of the risk you run," I heard him say to his
friend, laying a hand affectionately on the other's shoulder, those
inscrutable eyes of his--all the cunning and cruelty gone--becoming
liquid and appealing.
But to myself I said: "One day--perhaps within the next hour, perhaps
to-morrow, perhaps in the far future--this man, knife in hand, will
kneel over my prostrate and helpless figure, as I saw him kneel just
now; and when that moment comes--come it to-night, to-morrow, or come
it ten years hence--one of us two must leap the barrier which fences
this world from the next, ere he shall escape. Which of us two shall it
be? And when shall that moment come?"
As I so spoke the two men turned to me. Evidently they had arrived
at some decision, and that they meant to do me a mischief, if not to
murder me outright, I knew as surely as if someone had whispered their
plans in my ear. Once again their leader fixed me with his eyes. Once
again I was conscious of the same strange feeling of helplessness;
and once again figures shaped themselves before me as in a tableau.
Two men were lying in wait on a dark staircase to brain yet another
man--myself--as he groped his way out.
CHAPTER II.
THE MAN WITH THE PICTURE-EYES.
"Good evening."
It was the leader of the gang who had spoken, smiling and rubbing his
hands softly the one on the other, as pleased, apparently, as any
purring cat.
"Good evening," I responded curtly.
"May we ask to what we owe the pleasure of your presence here?" he
continued suavely, but watching me closely meanwhile.
"My presence here?" I said, as if surprised by the question. "Why
shouldn't I come here, any more than you? It is a public place, isn't
it? And I came here to smoke opium, as you and your friends have done,
I suppose; just as one goes to a tavern for a glass of beer."
"Not at all," he replied. "This is a private house, just as much as
your own house is, and you have no more right to force your way into
it, than I have to force myself into yours. You stand in the position
of a trespasser. For all I know to the contrary, you may even be what
in America they call an area sneak-thief, except for the fact that you
have sneaked your way to the top of the house instead of to the area.
May I ask who directed you here? I _must_ ask, for I insist upon having
an answer."
Public-domain text, read in full here on John Shaqi.
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