The Dumpling : $b A detective love story of a great labour risingKernahan, Coulson
General
The Dumpling : $b A detective love story of a great labour rising
Kernahan, Coulson
Detective and mystery stories; English fiction -- 20th century
They now returned to the room, still whispering, and the two who had
been on guard at the head of the stairs, after noisily calling out
"Good-night," made their way down, and so into the street, for we could
distinctly hear them unlocking the door, which this time--as I did not
hear it banged to--they had apparently left open.
"I don't think much of your Art Exhibition," I said, turning to the
leader of the gang and jerking my thumb over my shoulder in the
direction of the hideous representation of the Crucifixion, at which I
had made pretence to be looking. "It reminds me of what I once said to
a famous art critic and æsthete about a picture that hung in some cheap
bachelor lodgings of mine.
"'I have a picture in my room,' I said to him, 'that will give your
æsthetic senses a cold chill, not to say a shock. It's "Daniel in the
Lions' Den," done in chromo--four colours--and loud enough to win a
whistling match.'
"'How terrible!' said my friend. 'But I can imagine something even more
terrible.'
"'What is it?' I inquired.
"'A poor lion in a den of Daniels,' was the reply."
I told this story, as the reader will have surmised, in pursuance of
Grant's advice to "make pretence to be friendly," and apparently it had
the desired effect, for the leader of the gang seemed amused.
"I think I can place the man who said it," he said. "I used to meet him
often in Paris. No; we're not great on Art here, and that picture over
the couch is a terror. I've made it all right for you with my friends.
Would you like to smoke a pipe of opium, now you're here? You can if
you like."
"That's very kind of you, but I don't think I'll stop to-night," I
replied. "Fact is, you gave me a fright between you, for really I
thought you meant knocking me on the head."
He laughed.
"All right; come some other night, if you like. I'm sorry if we
frightened you, but of course we have to protect ourselves, and really
I thought at first that you had come here to interfere with our
customers and with our business. But it is all right now, and if you
want to be off, we won't detain you. Good-night."
"Good-night," I answered pleasantly, glad to get away, and making for
the door. With my hand on the handle I turned and looked back. My late
host, the man whom I have called the leader, was standing--a sort of
pocket caricature of Napoleon--his hands behind his back, and his
short legs straddled widely apart. His great head, resting almost on
his shoulders, was thrust forward, vulture-wise, the eyes glittering
venomously out of the dead-white face. On the mattress behind him, the
two men whom I had supposed to be Chinamen, but one of whom I now knew
to be Detective Grant, pulled away at their pipes as nonchalantly as
ever, the ghastly figure of the Crucified One stretching bare arms
over them on the wall.
"Good-night," smiled the leader again. "Good-night, and _bon voyage_."
Public-domain text, read in full here on John Shaqi.
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