The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution — John Shaqi
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the RevolutionHopkins, Tighe
History
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution
Hopkins, Tighe
Prisons -- France -- Paris
History, says a French historian, shews itself never at the Bastille but
with manacles in one hand and headsman's axe in the other. At Vincennes,
ever and anon, it appears in the rustling silks of a king's favourite,
who finds within the circle of those cruel walls soft bosky nooks and
bowers, for feasting and for love. Sometimes from the bosom of those
perfumed solitudes, a death-cry escapes, and the flowers are spotted
with blood: Messalina has dispensed with a _lettre de cachet_. At one
epoch it is Isabeau de Bavière, it is Catherine de Médicis at another;
what need to exhaust or to extend the list? Catherine made no sparing
use of the towers of Vincennes. It was a spectacle of royal splendours
on this side and of royal tyrannies on that; banquets and executions;
the songs of her troubadours mingling with the sighs of her captives.
Often some enemy of Catherine, quitting the dance at her pavilion of
Vincennes, fell straightway into a cell of the dungeon, to die that
night by stiletto, or twenty years later as nature willed. Yes, indeed,
Vincennes and the Bastille were worthy of each other.
-------
Two mysterious echoes of history still reach the ear from what were once
the vaulted dungeons of Vincennes. The note of the first is gay and
mocking, a cry with more of victory in it than of defeat, and one
remembers the captivity of the Prince de Condé. The other is like the
sudden detonation of musketry, and one recalls the bloody death of the
young Duc d'Enghien, the last notable representative of the house of
Condé.
The Prince de Condé's affair is of the seventeenth century. It was Anne
of Austria, inspired by Mazarin, who had him arrested, along with his
brother the Prince de Conti and their brother-in-law the Duc de
Longueville. A lighter-hearted gallant than Condé never set foot on the
drawbridge of Vincennes. On the night of his arrival with De Conti and
the duke, no room had been prepared for his reception. He called for
new-laid eggs for supper, and slept on a bundle of straw. De Conti
cried, and De Longueville asked for a work on theology. The next day,
and every day, Condé played tennis and shuttle-cock with his keepers;
sang and began to learn music. He quizzed the governor perpetually, and
laid out a garden in the grounds of the prison which became the talk of
Paris. "He fasted three times a week and planted pinks," says a
chronicler. "He studied strategy and sang the psalms," says another.
When the governor threatened him for breaches of the rules, the Prince
offered to strangle him. But not even Vincennes could hold a Condé for
long, and he was liberated.
Public-domain text, read in full here on John Shaqi.
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