The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution — John Shaqi
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the RevolutionHopkins, Tighe
History
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution
Hopkins, Tighe
Prisons -- France -- Paris
Volumes have been written upon this tragedy, but to this day no one
knows by whose precise word the blood of the last Condé was spilled in
the trenches of Vincennes. That d'Enghien was assassinated seems beyond
question—but by whom? Years after the event, General Hullin, president
of the commission, asserted in writing that no order of death was ever
signed; and that the members of the commission, still sitting at the
council-table, heard with amazement the volley that made an end of the
debate. Napoleon bore and still bears the opprobrium, but the proof
lacks. Yet who, under the Consulate, dared shoot a d'Enghien, failing
the Consul's word? The stones of Vincennes, wherein the mystery is
locked, have kept their counsel.
-------
Let the curtain be drawn for a moment on the last scene in the tragedy
of La Môle and Coconas. It is a lurid picture of the manners of the
time—the last quarter of the sixteenth century, Charles IX. on the
throne. The tale, which space forbids to tell at length, is one of love
and jealousy, with the wiles of a _soi-disant_ magician in the
background. The prime plotter in the affair was the Queen-Mother,
Catherine de Médicis. La Môle was the lover of Marguerite de Navarre;
Coconas, the lover of the Queen's friend, the Duchesse de Nevers.
Arrested on a dull and senseless charge of conspiring by witchcraft
against the life of the King, the two courtiers were thrown into
Vincennes. The first stage of the trial yielding nothing, the accused
were carried to the torture chamber, and there underwent all the
torments of the Question. After that, being innocent of the charge, they
were declared guilty, and sentenced to the axe.
"Justice" was done upon them in the presence of all Paris, wondering
dumbly at the iniquity of the punishment.
Night had fallen, and the executioner was at supper with his family in
his house in the tower of the pillory. All good citizens shunned that
accursed dwelling, and those who had to pass the headsman's door after
dark crossed themselves as they did so. All at once there was a knocking
at the door.
On his dreadful days of office the "Red Man" sometimes received the
stealthy visit of a friend, brother, wife, or sister, come to beg or
purchase a lock of hair, a garment, or a jewel.
"There's money coming to us," said the headsman to his wife. He opened
the door, and on the threshold stood a man, armed, and two women.
"These ladies would speak with you," said the man; and as the headsman
stood aside, the two ladies, enveloped in enormous hoods, entered the
house, their companion remaining without.
"You are the executioner?" said an imperious voice from behind an
impenetrable veil.
"Yes, madame."
"You have here ... the bodies of two gentlemen."
The headsman hesitated. The lady drew out a purse, which she laid upon
the table. "It is full of gold," she said.
"Madame," exclaimed the "Red Man," "what do you wish? I am at your
service."
Public-domain text, read in full here on John Shaqi.
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