The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution — John Shaqi
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the RevolutionHopkins, Tighe
History
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution
Hopkins, Tighe
Prisons -- France -- Paris
Up to the reign of Louis XVI., every prison in Paris and the principal
courts of justice had a torture chamber, and precise rules existed as
to the various kinds of torture that might be resorted to, the mode in
which each was to be applied, the persons who were to be present
during the Question, the preliminary examination of the prisoner by a
surgeon, the manner of binding, stretching, etc., together with the
minutest details respecting the several forms of the Question, and the
means to be employed to restore the sufferer for a second application.
On the ground floor of the dungeon were the dark cells. These were in no
way connected with the _Salle de la Question_, but served as the abodes
for months, or even for years, of those unhappy prisoners against whom
absolutism had a special grudge, or whom the governor took a pleasure in
reducing to the last extremity of misery. Here was a bed hollowed in the
stone wall, and littered with mouldy straw; and rings in the wall and
floor for waist-chains and leg-irons. Such a dwelling as this might
receive the unfortunate whose _lettre de cachet_ bore the appalling
legend: _Pour être oublié!_—(_To be forgotten!_).
But there were darker profundities yet in this Tartarus of the Kings of
France. Almost as far as its towers rose above the ground, the dungeon
plunged downwards in subterranean abysses, deep below deep. How many
victims sank in those secure abysses, and were silently extinguished!
In a place which witnessed so many last earthly moments, a chapel was a
necessity. Hasty absolution was often given for the crimes real or
imaginary which were so rudely expiated within the royal manor; and
sometimes prisoners were carried in a dying state from the _Salle de la
Question_ to receive the last rites of the Church in one of the three
small chapel cells with double doors. Here, on the very threshold of
death, one lay in semi-darkness to hear the mass which was pronounced on
the other side of the wall. Over the chaplain's apartment was the
singular inscription, _Carcer sacerdotis_ (_Prison of the Priest_),
which allows the inference that the chaplain, whilst in the exercise of
his functions, was not allowed to communicate with the outer world.
A narrow stone staircase of two hundred and sixty-five high steps,
obstructed at frequent intervals by sealed doors, conducted to a small
and well made terrace at the very top of the dungeon. It is probable
that this terrace is still in existence.[8] It was little used—perhaps
because it was the pleasantest place in the prison,—but tradition has
represented Mirabeau as taking an occasional airing on that superb
summit. The little lantern-shaped tower placed here contained the chapel
which was once the oratory of the Kings of France. Some nerve must have
been needed for Majesty to pray at ease, whilst crushing with its knees
that mass of human wretchedness!
Footnote 8:
Public-domain text, read in full here on John Shaqi.
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