The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the RevolutionHopkins, Tighe
History
The Dungeons of Old Paris: Being the Story and Romance of the Most Celebrated Prisons of the Monarchy and the Revolution
Hopkins, Tighe
Prisons -- France -- Paris
For during all these days, dragging slowly into ages, justice has seldom
more than one face to shew us: a face of cruelty and vengeance. The
thing which we call the "theory of punishment" had really no existence.
Punishment was not to chasten and reform; it was scarcely even to deter;
it was mainly and almost solely to revenge. What the notion of prison
was, I have tried briefly to explain in the chapters on "The
Conciergerie," "The Dungeon of Vincennes," and, I think, elsewhere. We
are strictly to remember, however, that the vindictive idea of
punishment, and the idea of prison as a place in which (1) to hold and
(2) to torment anyone who might be unfortunate enough to get in there,
were not at all peculiar to France. The history of punishment in our own
country leaves no room for boasting; and France has not more to reproach
herself with in the memory of the Bastille, than we have in the actual
and visible existence of Newgate. France has _Archives de la Bastille_;
we have Howard's _State of Prisons_ and Griffiths's _Chronicles of
Newgate_. We are not to forget that, in the "age of chivalry" in
England, it was unsafe for visitors in London to stroll a hundred yards
from their inn after sunset; and that, in the reign of Elizabeth,
Shakespeare might have penned his lines on "the quality of mercy" within
earshot of the rabble on their way to gloat over the disembowelling of a
"traitor," or flocking to surround the stake at which a woman was to die
by fire. In a word, the sense of vengeance, and the thirst for
vengeance, which underlay the old criminal law of France, and of all
Europe, were not less the basis of our own criminal law until well on
into the second quarter of this century. But the French, it would seem,
have paid the cost of their quick dramatic sense. They have handed down
to us, in history, drama, and romance, the picture of Louis XI. arm in
arm with his torturer and hangman, Tristan; the spectacle of the noble
whose sword was convertible into a headsman's axe; and of the abbot
whose girdle was ever ready for use as a halter. Histories akin to these
(and, at the root, there is more of history than of legend in all of
them) are to be delved out of our own records; but the French have been
more candid in the matter, and a good deal more skilled with the pen in
chronicles of the sort.
On the other hand, England never had quite such bitter memories of her
prisons as France had of hers. The struggle for freedom in England was
never a struggle against the prisons; and it was not consciously a
struggle against the prisons in France. But the destruction of a prison
was the beginning of the French Revolution; and when the Revolution was
over, its first historians took the prisons of France as the type and
example of the immemorial tyranny of their kings. In one important
respect, therefore, the dungeons of old Paris stand apart from the
prisons of the rest of Europe.
Public-domain text, read in full here on John Shaqi.
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