The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
The substance of this form is from _M'Kernan_; we cannot, however, avoid
thinking, that his directions for this vat are very vague.
_To dye silk a_ VIOLET, ROYAL PURPLE, &c.
Boil archil with water in a copper; the quantity of archil according to
the colour required must be from two to four times the weight of the
silk. When the archil has boiled about ten minutes the fire must be
damped, the archil left to subside, and the clear liquor put into a
vessel of a convenient size, in which the silk is to be immersed and
worked with care.
You must have a small corresponding pattern that you intend for purple,
which at times you must put into the blue vat to regulate the depth of
the archil ground, as the purple is a compound colour, arising from the
blue of the indigo and the red of the archil. When the red of the archil
is deep enough, you must wash it off and put it into the blue vat with
proper precaution. The fulness of the archil ground and the depth of the
blue, must be regulated according to the patterns which are to be matched.
_To dye silk_ LILAC.
_Lilac_ is and should be a bright light shade of violet or purple; to
give it the blue requires great management. The vats being generally too
strong, it is best to mix a little of the new rich vat with some
pearl-ash in clean cold water, and so prepare a liquor on purpose, by
which the lilacs may be blued or reddened at pleasure. When this liquor
is first mixed it becomes of a green colour; the silks therefore should
not be dipped till the liquor begins to lose its green colour and
inclines to blue. Pearl-ash added to this liquor helps to blue the
archil, because the effect of the alkali upon red is to render it violet.
_Another process for_ LILAC.
Consists in simply using the _chemical blue_ with archil according to the
shade required.
_Another process for dyeing muslin, &c._ LILAC.
This is accomplished by mixing the neutralized chemic blue for cotton
with the pink dye of safflower, according to the shade required.
_To dye silk a_ VIOLET _or_ PURPLE _with Logwood._
The silk should be alumed and washed. The logwood should be boiled in
large quantities like fustic, as as directed for green; but it should not
be kept longer than two or three weeks; it is far better used cold than
hot.
_To dye silk_ VIOLET _with Brazil wood and Logwood._
The silk must be alumed and cooled as usual; it is then to be alumed and
dyed in a liquor made of Brazil wood of the common heat, then in the cold
logwood liquor, and lastly, a solution of pearl-ash must be added to the
liquor in which the silk is last dyed. It is afterwards to be washed and
dried; but for some shades it is best to have fresh liquor, particularly
for the warm Brazil, the cold logwood, and the solution of pearl-ash: in
this case the quantity of each may be much better regulated.
_To dye silk_ VIOLET _or_ PURPLE _with Brazil wood and Archil._
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