The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
Norwich, Yorkshire, Gloucestershire, and various other parts of the
British dominions.
The author has, in treating of the various matters to be dyed, adopted
nearly the same arrangement as that which appears in the _Title_, taking
_Cotton_ first, in consequence of its having the least affinity for
dyeing bodies. He has taken _Silk_ next, which has a greater affinity for
many dyes, and, when dyed, yields colours more permanent than cotton.
_Wool_ he has not placed entirely last, although many of the colours
which it receives from the dyer are complex. The _black dyeing_ of
_cotton_ and _silk_ is placed after the processes of black for wool, as
likewise the _Turkey red_, _&c._ these being naturally difficult to
perform.
_White_ and _black_ have been considered colours by dyers, and with
propriety, black forming a part of slate, grey, &c. White is seldom pure;
in proportion to its clearness and purity will the colours be with which
it is dyed.
In regard to _black dye_, and particularly _cotton black dye_, the author
does not know any simple and concise theory, consistent with chemical
principles. He flatters himself, however, that from his extensive
experience, his observations are founded on interesting facts. Cotton,
for instance, will take fast blues from the cold indigo vat; this vat,
with the combination of iron, and in a heat no greater than the hand can
bear, will easily produce all shades of grey, slate, &c. Many of these
colours may be done by logwood instead of the blue vat, and in the same
heat of the dye bath; so cotton likewise, whether in pieces or skeins,
may be dyed brown, fawn, drab, &c. in consequence of the great affinity
which cotton has for acetate and sulphate of iron.
With respect to _black_, it should be also observed, that few substances
are known which yield _by themselves_ a good black. The juice of the
_cashew nut_ communicates, however, a black colour, which resists not
only washing, but even boiling with soap and alkaline leys. It is used
for marking linen. The _Toxicodendron_ yields a juice which produces
nearly the same effect. Some other vegetables also produce black dyes,
but all of them in such small quantities as not to be available for the
purposes of art; nor do they, besides, produce blacks equal to those
formed in the dye-house.
_Blue_, _red_, and _yellow_ are admitted to be three distinct colours. In
many of the _browns_, red and yellow are combined naturally in the drugs
from which they are produced, and so they are in logwood. Blue, red, and
yellow, are developed by _iron_, whether in the state of an acetate or
sulphate.
It may be useful, before we proceed any farther in noticing the theories
of dyeing, to give a brief description of the
_Drugs Applicable to Dyeing._
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