The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
When the indigo is thus prepared, boil it in the copper with the grounds
of the madder and the potash, which fell to the bottom; it is all, then,
to be put into the vat at the same time with the indigo; the whole is to
be stirred, the vat covered, and heat applied to make it more than blood
warm, and to keep it so. The vat should be stirred twice, slightly, both
the second and third day, the heat remaining the same; when a brassy
scum, divided and interrupted in many places, begins to appear on the
surface. On the fourth day, the heat being continued, the scum becomes
more perfect and less broken, the froth which rises, upon stirring, is
more blue, and the vat a deep green.
When it becomes green in this manner, it is an indication that it must be
filled; to do which, boil half an ounce of madder, and one pound of
potash, in five gallons of water; put in this liquor, and stir it; if it
produce much froth, stir it again, and the next day it will be fit for
working; which, however, will be sufficiently known by the quantity of
froth, and by the brassy and scaly crust on the surface of the liquor, on
blowing or stirring which, the liquor beneath is green, although the
surface appears brown or blue.
When the vat has worked about forty or fifty pounds of serge or worsted,
it may be necessary to replenish it with one pound of potash, half an
ounce of madder, and a handful of bran; these being boiled a quarter of
an hour, are added to the vat.
When this vat wants replenishing with indigo, which may be known by the
liquor being no longer green, but brown, blue, or almost black,
two-thirds of it must be put into a copper; when ready to boil, the scum
on the top must be taken off by a sieve, after which it should be
suffered to boil, with the addition of two handfuls of bran, a quarter of
a pound of madder, and two pounds of potash; soon after it has boiled, it
is to be put into the vat with one pound of indigo, prepared as before;
the vat being again stirred, and covered, the heat always remaining
between blood and fever heat.
When an indigo vat has been several times re-heated, it should be emptied
out entirely, and set anew, because the colour becomes dull. _The
preceding process is from Hellot._
[8] It is necessary that the student should not confound the terms
_primitive_ colours here with the _prismatic_ or _primary_ colours, for
the discovery of which we are indebted to Sir Isaac Newton. See _the
Introductory Chapter_.
CHAPTER V.
ON DYEING SILK AND COTTON BLACK, &c.
_To dye silk black for velvets—To dye silk black, London process—On
dyeing cotton black at Rouen—To dye cotton black, London process—For
dyeing black, particularly cotton velvets, at Manchester—On dyeing silk
and cotton black, with a blue ground—Another iron liquor—To dye cotton
black, by using the preceding solution—To dye cotton violet—To dye
cotton red—To dye cotton an Adrianople or Turkey red—Miscellaneous
observations relative to Adrianople red._
Public-domain text, read in full here on John Shaqi.
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