The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeingPacker, Thomas
Science
The Dyer's Guide: Being a compendium of the art of dyeing linen, cotton, silk, wool, muslin, dresses, furniture, &c. &c.; with the method of scouring wool, bleaching cotton, &c., and directions for ungumming silk, and for whitening and sulphuring silk and wool; and also an introductory epitome of the leading facts in chemistry, as connected with the art of dyeing
Packer, Thomas
Dyes and dyeing; Textile fabrics
Some of the more simple and less difficult processes of dyeing both
_cotton_ and _silk_, are described in the preceding chapters; we shall
now describe those, not only for black, but for some other colours, which
require more care and attention. _For ungumming and boiling silk, &c. see
Chap. VI._
Silk has a strong affinity for galls, and advantage is sometimes taken of
this: for silk, being a valuable article, is often galled to excess,
merely to increase its weight.
Cotton has a strong affinity for iron, and iron has the same for _gallic
acid_, wherever it may be found; therefore, in sumach, alder-bark, &c.,
iron unites with the acid, whenever both are connected by the medium of
water. _Tannin_, doubtless, has also some share in such dyeing processes,
although what does not even now appear to be well understood.
Black, MACQUER observes, is rather difficult to be dyed upon silk; or, at
least, there is reason to think so, from the numberless experiments which
have been found necessary to the attainment of a good black, as well as
from the multitude of heterogeneous ingredients which Macquer admitted
into the composition of his various processes for this dye, some of which
consisted of arsenic, corrosive sublimate, litharge, antimony, plumbago,
and about ten other ingredients! we shall not, therefore, detail such
preposterous mixtures; one, however, we may just put down by way of
showing what the art was in Macquer's time.
Take twenty quarts of strong vinegar, one pound of black nut galls
pounded, and five pounds of iron filings; these ingredients are to be
mixed in one vessel.
_To dye skein silk_ BLACK _for velvets, Genoa process, (from Macquer.)_
The silk should be ungummed by boiling it four hours with a quarter of
its weight of white soap, and afterwards to be well cleared from the soap.
Take, for every hundred pounds of silk, twenty pounds of galls in powder,
and boiled one hour; two pounds of sulphate of iron; twelve pounds of
iron filings; and twenty pounds of gum arabic or senegal.
This process is very simple: here are the gallic acid and tannin of the
galls, and the iron of the sulphate and the filings. But we must proceed
to a more modern process.
_To dye silk_ BLACK, _the London process._
Public-domain text, read in full here on John Shaqi.
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