_ZERO’S TALE OF THE EXPLOSIVE BOMB_. {182} I dined by appointment with one of our most trusted agents, in a private chamber at St. James’s Hall. You have seen the man: it was M’Guire, the most chivalrous of creatures, but not himself expert in our contrivances. Hence the necessity of our meeting; for I need not remind you what enormous issues depend upon the nice adjustment of the engine. I set our little petard for half an hour, the scene of action being hard by; and the better to avert miscarriage, employed a device, a recent invention of my own, by which the opening of the Gladstone bag in which the bomb was carried, should instantly determine the explosion. M’Guire was somewhat dashed by this arrangement, which was new to him: and pointed out, with excellent, clear good sense, that should he be arrested, it would probably involve him in the fall of our opponents. But I was not to be moved, made a strong appeal to his patriotism, gave him a good glass of whisky, and despatched him on his glorious errand. Our objective was the effigy of Shakespeare in Leicester Square: a spot, I think, admirably chosen; not only for the sake of the dramatist, still very foolishly claimed as a glory by the English race, in spite of his disgusting political opinions; but from the fact that the seats in the immediate neighbourhood are often thronged by children, errand-boys, unfortunate young ladies of the poorer class and infirm old men—all classes making a direct appeal to public pity, and therefore suitable with our designs. As M’Guire drew near his heart was inflamed by the most noble sentiment of triumph. Never had he seen the garden so crowded; children, still stumbling in the impotence of youth, ran to and fro, shouting and playing, round the pedestal; an old, sick pensioner sat upon the nearest bench, a medal on his breast, a stick with which he walked (for he was disabled by wounds) reclining on his knee. Guilty England would thus be stabbed in the most delicate quarters; the moment had, indeed, been well selected; and M’Guire, with a radiant provision of the event, drew merrily nearer. Suddenly his eye alighted on the burly form of a policeman, standing hard by the effigy in an attitude of watch. My bold companion paused; he looked about him closely; here and there, at different points of the enclosure, other men stood or loitered, affecting an abstraction, feigning to gaze upon the shrubs, feigning to talk, feigning to be weary and to rest upon the benches. M’Guire was no child in these affairs; he instantly divined one of the plots of the Machiavellian Gladstone.