Espionage, German -- United States -- Fiction; Germans -- United States -- Fiction; Spy stories
And certainly something was causing a pallor to spread over his
features, and the cold sweat to break forth on his forehead. Harrison
Grant knew what it was. From far away, the chimes of a church had
sounded midnight and faded away into nothingness. Grant knew what
Heinric von Lertz was thinking about--about that bomb and the fact that
he was practically the only German left within the confines of the
Ansonia Hotel. And so, that he might obtain a trifle of satisfaction
against this cowardly plotter of Imperial Germany, he deliberately
turned to Miss Mason and began the telling of an incident which could
not be interrupted. And Grant knew how the passing of every second ate
into the soul of Heinric von Lertz!
Then a movement. Someone passed--and in passing, slipped a bit of
cardboard into the cupped hand of Heinric von Lertz. Hurriedly the
German shifted his hand to the interior of his silk hat, and under its
protection, read the message. Involuntarily, his hands clutched. For
there, scrawled on the cardboard, were the words:
"Affair abandoned. Too dangerous."
Von Lertz coughed, and at the sound, Harrison Grant and Dixie Mason
turned. The German forced a smile.
"I've changed my mind--er--that is, my headache's better," he
announced. "We'll stay."
"Thank you," said Harrison Grant, with quietly suppressed meaning, "my
hopes are raised on a veritable bomb of happiness. Miss Mason, may I
have this dance?"
"Most certainly."
Happily, bouyantly they went toward the ballroom, while Heinric von
Lertz stared after them.
"I wonder what that idiotic Yankee meant by a 'bomb of happiness,'" he
mused, "Could he have known what I was plotting?"
The thought brought back the memory of that card. Once again he glanced
at it, then tore it to bits and stuffed it in his pocket. Then,
throwing his coat to the check boy, he strode toward the ballroom.
"At any rate," he growled under his breath, "they haven't stopped
preparations at the shack."
And at the same moment, the taxicab containing the old bomb maker
had drawn to the curbing, forty blocks away, where another cab stood
waiting. A figure came forth from the darkness and peered into the
first cab.
"Are you there, Kroner?"
"Yes."
"Alright. Everything's safe. Why don't you hurry?"
"There's no need. I didn't use the bomb."
"You didn't use it?"
"You heard what I said," came testily from within the taxicab. "It's
up to you to hurry. Get out to the shack and tell those men to work
night and day to finish up their job!"
A muffled conversation of an instant more, then the taxis parted. An
hour later, as Harrison Grant again danced with Dixie Mason and Von
Lertz seethed over the frustration of his scheme, a man hurried into a
ramshackle old building on Staten Island, near Fort Wadsworth, aroused
the slumbering figures there and pushed them toward a great thing of
polished steel, nickel and brass that lay nine-tenths finished before
them.
Public-domain text, read in full here on John Shaqi.
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