The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872Ruskin, John
Philosophy
The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872
Ruskin, John
Art and science
219. Nevertheless, in its derivative way, this is very lovely. But I
wish you to observe that it is derivative in all things. The dress is
derivative; the action, derivative: above all, the conception is
derivative altogether, from that great age of Christian chivalry, which,
in art and thought alike, surpassed the Greek chivalry, because it added
to their enthusiasm of patriotism the enthusiasm of imaginative love,
sanctified by this ruling vision of the Madonna, as at once perfect maid
and perfect mother.
And your study of the art of the middle ages must begin in your
understanding how the men of them looked on Love as the source of all
honour, as of life; and how, from the least thing to the greatest, the
honouring of father and mother, the noble esteem of children, and the
sincere respect for race, and for the courtesies and prides that graced
and crowned its purity, were the sources of all their virtue, and all
their joy.
220. From the least things, I say, to the greatest. I am to speak to-day
of one of, apparently, the least things; which is, indeed, one of the
greatest. How much of the dignity of this Madonna, do you suppose,
depends on the manner she bears her dress, her crown, her jewels, and
her sceptre?
In peasant and prince alike, you will find that, ultimately, character
is truly heralded in dress; and that splendour in dress is as necessary
to man as colour to birds and flowers, but splendour with more meaning.
Splendour observe, however, in the true Latin sense of the word;
_brightness_ of colour; not gaudiness: what I have been telling you of
colour in pictures will apply equally to colour in dress: vulgarity
consists in the insolence and discord of it, not in brightness.
221. For peasant and prince alike, in healthy national order, brightness
of dress and beautiful arrangement of it are needful. No indication of
moral decline is more sure than the squalor of dress among the lower
orders, and the fear or shame of the higher classes to bear their proper
insignia.
Such fear and shame are singularly expressed, here in Oxford, at this
hour. The nobleman ceases to wear the golden tassel in his cap, so
accepting, and publicly heralding his acceptance of, the popular opinion
of him that he has ceased to _be_ a nobleman, or noteworthy person.[K]
And the members of the University, generally, shrink from wearing their
academical dress, so accepting, and publicly heralding their acceptance
of, the popular opinion that everybody else may be as good scholars as
they. On the other hand, I see continually in the streets young men in
bright costumes of blue and white; in such evidently proud heraldry
proclaiming their conviction that the chief object of residence in
Oxford is learning to row; the rowing itself being, I imagine, not for
real boat service, but for purposes of display.
Public-domain text, read in full here on John Shaqi.
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