The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872Ruskin, John
Philosophy
The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872
Ruskin, John
Art and science
I was beguiled the other day, by seeing it announced as a "Comédie,"
into going to see "Frou-Frou." Most of you probably know that the three
first of its five acts _are_ comedy, or at least playful drama, and that
it plunges down, in the two last, to the sorrowfullest catastrophe of
all conceivable--though too frequent in daily life--in which
irretrievable grief is brought about by the passion of a moment, and the
ruin of all that she loves, caused by the heroic error of an entirely
good and unselfish person. The sight of it made me thoroughly ill, and I
was not myself again for a week.
But, some time afterwards, I was speaking of it to a lady who knew
French character well; and asked her how it was possible for a people so
quick in feeling to endure the action before them of a sorrow so
poignant. She said, "It is because they have not sympathy enough: they
are interested only by the external scene, and are, in truth, at
present, dull, not quick in feeling. My own French maid went the other
evening to see that very play: when she came home, and I asked her what
she thought of it, she said 'it was charming, and she had amused herself
immensely.' 'Amused! but is not the story very sad?' 'Oh, yes,
mademoiselle, it is bien triste, but it is charming; and then, how
pretty Frou-Frou looks in her silk dress!'"
73. Gentlemen, the French maid's mode of regarding the tragedy is, if
you think of it, a most true image of the way in which fashionable
society regards the world-suffering, in the midst of which, so long as
it can amuse itself, all seems to it well. If the ball-room is bright,
and the dresses pretty, what matter how much horror is beneath or
around? Nay, this apathy checks us in our highest spheres of thought,
and chills our most solemn purposes. You know that I never join in the
common outcries against Ritualism; yet it is too painfully manifest to
me that the English Church itself has withdrawn her eyes from the
tragedy of all churches, to perk herself up anew with casement and
vestment, and say of herself, complacently, in her sacred ποικιλία, "How
pretty Frou-Frou is, in her silk dress!"
Public-domain text, read in full here on John Shaqi.
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