The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872Ruskin, John
Philosophy
The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872
Ruskin, John
Art and science
That, then, being the sum of what I could tell you with certainty
respecting the methods of sight, I have next to assure you that this
faculty of sight, disciplined and pure, is the only proper faculty
which the graphic artist is to use in his inquiries into nature. His
office is to show her appearances; his duty is to know them. It is not
his duty, though it may be sometimes for his convenience, while it is
always at his peril, that he knows more;--knows the _causes_ of
appearances, or the essence of the things that produce them.
124. Once again, therefore, I must limit my application of the word
science with respect to art. I told you that I did not mean by 'science'
such knowledge as that triangles on equal bases and between parallels
are equal, but such knowledge as that the stars in Cassiopeia are in the
form of a _W_. But, farther still, it is not to be considered as
science, for an artist, that they are stars at all. What _he_ has to
know is that they are luminous points which twinkle in a certain manner,
and are pale yellow, or deep yellow, and may be quite deceptively
imitated at a certain distance by brass-headed nails. This he ought to
know, and to remember accurately, and his art knowledge--the science,
that is to say--of which his art is to be the reflection, is the sum of
knowledges of this sort; his memory of the look of the sun and moon at
such and such times, through such and such clouds; his memory of the
look of the mountains,--of the look of sea,--of the look of human faces.
Public-domain text, read in full here on John Shaqi.
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