The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872Ruskin, John
Philosophy
The Eagle's Nest: Ten Lectures on the Relation of Natural Science to Art, Given Before the University of Oxford, in Lent Term, 1872
Ruskin, John
Art and science
Their children have forfeited, some by guilt, and many in folly, the
leadership they inherited; and every man in England now is to do and to
learn what is right in his own eyes. How much need, therefore, that we
should learn first of all what eyes are; and what vision they ought to
possess--science of sight granted only to clearness of soul; but granted
in its fulness even to mortal eyes: for though, after the skin, worms
may destroy their body, happy the pure in heart, for they, yet in their
flesh, shall see the Light of Heaven, and know the will of God.
LECTURE VII.
THE RELATION TO ART OF THE SCIENCES OF INORGANIC FORM.
_February 9th, 1872._
122. I did not wish in my last lecture, after I had directed your
attention to the special bearing of some of the principles I pleaded
for, to enforce upon you any farther general conclusions. But it is
necessary now to collect the gist of what I endeavoured to show you
respecting the organs of sight; namely, that in proportion to the
physical perfectness or clearness of them is the degree in which they
are raised from the perception of prey to the perception of beauty and
of affection. The imperfect and brutal instrument of the eye may be
vivid with malignity, or wild with hunger, or manifoldly detective with
microscopic exaggeration, assisting the ingenuity of insects with a
multiplied and permanent monstrosity of all things round them; but the
noble human sight, careless of prey, disdainful of minuteness, and
reluctant to anger, becomes clear in gentleness, proud in reverence, and
joyful in love. And finally, the physical splendour of light and colour,
so far from being the perception of a mechanical force by a mechanical
instrument, is an entirely spiritual consciousness, accurately and
absolutely proportioned to the purity of the moral nature, and to the
force of its natural and wise affections.
123. That was the sum of what I wished to show you in my last lecture;
and observe, that what remains to me doubtful in these things,--and it
is much--I do not trouble you with. Only what I know that on experiment
you can ascertain for yourselves, I tell you, and illustrate, for the
time, as well as I can. Experiments in art are difficult, and take years
to try; you may at first fail in them, as you might in a chemical
analysis; but in all the matters which in this place I shall urge on
your attention I can assure you of the final results.
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