Fantasy fiction; Historical fiction; Middle Ages -- Fiction
Mr. Kennaston, as you are doubtless aware, is the author of "The
King's Quest" and other volumes of verse. He is a full-bodied young
man, with hair of no particular shade; and if his green eyes are a
little aged, his manner is very youthful. His voice in speaking is
wonderfully pleasing, and he has a habit of cocking his head on one
side, in a bird-like fashion.
"Indeed," Mr. Petheridge Jukesbury observed, "it is very true that God
made the country and man made the town. A little more wine, please."
Mr. Jukesbury is a prominent worker in the cause of philanthropy
and temperance. He is ponderous and bland; and for the rest, he is
president of the Society for the Suppression of Nicotine and the
Nude, vice-president of the Anti-Inebriation League, secretary of the
Incorporated Brotherhood of Benevolence, and the bearer of divers
similar honours.
"I am never really happy in the country," Mrs. Saumarez dissented; "it
reminds me so constantly of our rural drama. I am always afraid the
quartette may come on and sing something."
Kathleen Eppes Saumarez, as I hope you do not need to be told, is
the well-known lecturer before women's clubs, and the author of many
sympathetic stories of Nature and animal life of the kind that have
had such a vogue of late. There was always an indefinable air of
pathos about her; as Hunston Wyke put it, one felt, somehow, that her
mother had been of a domineering disposition, and that she took after
her father.
"Ah, dear lady," Mr. Kennaston cried, playfully, "you, like many of
us, have become an alien to Nature in your quest of a mere Earthly
Paradox. Epigrams are all very well, but I fancy there is more
happiness to be derived from a single impulse from a vernal wood than
from a whole problem-play of smart sayings. So few of us are
natural," Mr. Kennaston complained, with a dulcet sigh; "we are too
sophisticated. Our very speech lacks the tang of outdoor life.
Why should we not love Nature--the great mother, who is, I grant you,
the necessity of various useful inventions, in her angry moods, but
who, in her kindly moments--" He paused, with a wry face. "I beg your
pardon," said he, "but I believe I've caught rheumatism lying by that
confounded pond."
Mrs. Saumarez rallied the poet, with a pale smile. "That comes of
communing with Nature," she reminded him; "and it serves you rightly,
for natural communications corrupt good epigrams. I prefer Nature
with wide margins and uncut leaves," she spoke, in her best platform
manner. "Art should be an expurgated edition of Nature, with all
the unpleasant parts left out. And I am sure," Mrs. Saumarez added,
handsomely, and clinching her argument, "that Mr. Kennaston gives us
much better sunsets in his poems than I have ever seen in the west."
He acknowledged this with a bow.
Public-domain text, read in full here on John Shaqi.
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