Fantasy fiction; Historical fiction; Middle Ages -- Fiction
"We used to read Ouida's books together," he said, somewhat wistfully.
"Lord, Lord, how she revelled in Chandos and Bertie Cecil and those
dashing Life Guardsmen! And she used to toss that little head of hers
and say I was a finer figure of a man than any of 'em--thirty
years ago, good Lord! And I was then, but I ain't now. I'm only a
broken-down, cantankerous old fool," declared the Colonel, blowing
his nose violently, "and that's why I'm quarrelling with the dearest,
foolishest daughter man ever had. Ah, my dear, don't mind me--run your
menagerie as you like, and I'll stand it."
Margaret adopted her usual tactics; she perched herself on the arm
of his chair and began to stroke his cheek very gently. She
often wondered as to what dear sort of a woman that tender-eyed,
pink-cheeked mother of the old miniature had been--the mother who had
died when she was two years old. She loved the idea of her, vague as
it was. And, just now, somehow, the notion of two grown people reading
Ouida did not strike her as being especially ridiculous.
"Was she very beautiful?" she asked, softly.
"My dear," said her father, "you are the picture of her."
"You dangerous old man!" said she, laughing and rubbing her cheek
against his in a manner that must have been highly agreeable. "Dear,
do you know that is the nicest little compliment I've had for a long
time?"
Thereupon the Colonel chuckled. "Pay me for it, then," said he, "by
driving the dog-cart over to meet Billy's train to-day. Eh?"
"I--I can't," said Miss Hugonin, promptly.
"Why?" demanded her father.
"Because----" said Miss Hugonin; and after giving this really
excellent reason, reflected for a moment and strengthened it by
adding, "Because----"
"See here," her father questioned, "what did you two quarrel about,
anyway?"
"I--I really don't remember," said she, reflectively; then continued,
with hauteur and some inconsistency, "I am not aware that Mr. Woods
and I have ever quarrelled."
Public-domain text, read in full here on John Shaqi.
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