The eagle's wing: A story of the ColoradoBower, B. M.
General
The eagle's wing: A story of the Colorado
Bower, B. M.
Colorado River (Colo.-Mexico) -- Fiction; Gold mines and mining -- Fiction; Western stories
“Well enough to be paid for working at it,” grinned Rawley, trying
unsuccessfully to keep his eyes from straying curiously around the room filled
with ancient trophies of a soldier’s life half a century before.
“Not much like your father! I’ll bet he couldn’t have told you the meaning of
the words. Damned milksop. Bank clerk! Not a drop of King blood in his
body--far as looks and actions went. Guess he thought gold grew on bushes,
stamped with the date of the harvest!”
“I remember him vaguely. He never seemed well or strong,” Rawley defended his
dead father.
“Never had the King make-up. Only weakling the Kings ever produced--and he had
to be _my_ son! Take a look at that picture on the bureau. That’s what I mean
by King blood. Johnny, give him the picture.”
The Indian moved silently to a high chest of drawers against the farther wall
and lifted from it an enlarged, framed photograph, evidently copied from an
earlier crude effort of some pioneer in the art. He placed it reverently in
Rawley’s hands and retreated to a respectful distance.
“Taken before I started out with Moorehead’s expedition in ’59. Six feet two
in my bare feet, and not an ounce of soft flesh in my body. Not a man in the
company I couldn’t throw. Johnny could tell you.” A note of pride had crept
into the old man’s voice.
“I can see it, Grandfather. I--I’d give anything to have been with you in
those days. Lord, what a physique!”
The fierce old eyes sparkled. The bony fingers gripped the arms of the wheel
chair like steel claws.
“That’s the King blood. Give me two legs and I’d be a King yet, old as I
am--instead of a hunk of meat in a wheel chair.”
“It’s the spirit that counts, Grandfather,” Rawley observed hearteningly, his
eyes still on the picture but lifting now to the old man’s face. “The
picture’s like you yet.”
The old man grunted doubtfully, his eyes fixed sharply upon Rawley’s face. His
fingers drummed restlessly upon the arm of his chair, as if he were seeing in
the young man his own care-free youth, and was yearning over it in secret.
Indeed, as he stood there in the light of the old-fashioned lamp, Rawley King
might have been mistaken for the original of the picture with the costume set
fifty years ahead.
“Johnny, get the box.” Grandfather King spoke without taking his eyes off
Rawley.
The old Indian slipped away. In a moment he returned with a square metal box
which he placed on the old man’s knees. Rawley found himself wondering what
his mother would say when he told her that Grandfather King had sent for him,
was actually talking to him, giving him a glimpse of that sealed past of his.
He watched his grandfather fit a key into the lock of the metal box.
Public-domain text, read in full here on John Shaqi.
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