Produced by Steven desJardins and the Online Distributed Proofreading Team at https://www.pgdp.net [Illustration: EARL OF ESSEX QUEEN TWIXT YOU AND ME THIS RING SHALL BE A PRIVATE MARK OF FAITH ACT IV. SCENE I PAINTED BY HOWARD.] THE EARL OF ESSEX; A TRAGEDY, IN FIVE ACTS; BY HENRY JONES. AS PERFORMED AT THE THEATRE ROYAL, COVENT GARDEN. PRINTED UNDER THE AUTHORITY OF THE MANAGERS FROM THE PROMPT BOOK. WITH REMARKS BY MRS INCHBALD. LONDON: PRINTED FOR LONGMAN, HURST, REES, ORME, AND BROWN, PATERNOSTER ROW. EDINBURGH: Printed by James Ballantyne and Co. REMARKS. This tragedy was dedicated to the Earl of Chesterfield, who was the author's patron, and who, it is supposed, assisted him in the composition of the work. There are two tragedies under the title of "The Earl of Essex;" but the following, by Henry Jones, brought upon the stage in 1753, was most favourably received, and became very attractive. The dramatist, who founds his plot and incidents on history, generally adds, from his invention, those scenes, which best describe the power of love. Here it has been otherwise, at least in the character of the queen; whom every distinguished historian has portrayed as more enamoured of her favourite Essex, than even this play will exhibit. The character of Essex is sustained with greater accuracy:--the fiery quality of his temper; his alternate pride and humility, daring and servility, in presence of his royal mistress; with all his boisterous vows of loyalty to her; and tender oaths of love to another. The few characters which compose this drama, all claim an interest with the reader, were it but from their mere names. The great Sir Walter Raleigh is of the least importance among the dramatic group; and yet his appearance causes an association of ideas, that makes every line he utters valuable, for the sake of his reputation, and his impending misfortunes. The admirers of Shakspeare will likewise feel a double concern in the fate of the Lord Southampton, whilst they recollect, that this zealous friend of Essex was the noble protector and benefactor of England's most illustrious bard. The name of Burleigh sounds high as that of Elizabeth, for their glory was equal--but the name alone attaches to the present character; for the great Cecil, by the wisdom of whose measures England was, at the period of this play, in its highest prosperity, died about two years previous to the death of Essex; and this, his son, became the unhappy earl's bitterest foe. Not even a female character is here introduced from fiction.--Rutland and Nottingham are both well known in history; and though the cruel incident of the ring is not attested by any historian, it is minutely related by them all. But whether her majesty gave the unfortunate hero of this tragedy a ring or not, it is most certain that she gave him a blow; and of all the proofs of love which she bestowed upon him, this surely cannot be numbered amongst the least.