CONCLUDING MEMORANDA Inspiration of the Old Testament Scriptures, according to the Talmud account 364 The story of the Talmud through the ages 365 The Talmud and the New Testament 366 Influence of the Talmud on Judaism 368 Influence of the Talmud on Christianity 370 VII (_A_) AN APPENDIX ON THE “HAGGADAH” “Haggadah” in the Talmud and in other ancient Rabbinical writings--Signification of the “Haggadah”--Its great importance--Its enduring popularity 371 Examples of “Haggadah” quoted from the Palestinian Targum on Deuteronomy 373 VIII (_B_) ON THE “HALACHAH” AND “HAGGADAH” The general purport of the “Halachah”--Some illustrations--Further details connected with the “Haggadah”--It is not confined to the later Books of the Old Testament--The “Haggadah” also belongs to the Pentateuch--Examples of this quoted--Instances of the influence of “Haggadah” in the New Testament Books 376 IX WOMEN’S DISABILITIES 380 INDEX 381 LIST OF ILLUSTRATIONS PAINTING IN THE CATACOMBS, SECOND AND THIRD CENTURIES. THE GOOD SHEPHERD IN THE CENTRE. ON THE LEFT, DANIEL IN THE DEN OF LIONS. ON THE RIGHT, THE THREE CHILDREN IN THE FURNACE _Frontispiece_ From Palmer’s _Early Christian Symbolism_. By permission of KEGAN PAUL, TRENCH, TRUBNER & CO. FACING PAGE THE “COME AND DINE” OF THE LAST CHAPTER OF ST. JOHN’S GOSPEL--THE MYSTIC REPAST OF THE SEVEN DISCIPLES (CEMETERY OF CALLISTUS, SECOND CENTURY. A FAVOURITE PICTURE IN THE CATACOMBS) 219 ENTRANCE TO THE CEMETERY OF S. DOMITILLA (CRYPT OF THE FLAVIANS, FIRST CENTURY) 240 From _Roma Sotterranea Cristiana_. By permission of the Author, ORAZIO MARUCCHI PAINTINGS IN A CHAPEL OF CATACOMB OF S. CALLISTUS, SHOWING A TOMB SUBSEQUENTLY EXCAVATED ABOVE THE ORIGINAL TOMB OF THE SAINT 245 Photo, S. J. BECKETT MOSAIC IN THE APSE OF THE CHURCH OF STA. PUDENZIANA, ROME 263 Photo, MOSCIONI IN THE CATACOMB OF S. PRISCILLA (SECOND OR THIRD CENTURY) 267 Photo, S. J. BECKETT CHAPEL OF THE TOMBS OF THE THIRD-CENTURY BISHOPS OF ROME, PARTLY RESTORED--CATACOMB OF S. CALLISTUS 273 Photo, S. J. BECKETT