The Early Life and Adventures of Sylvia Scarlett — John Shaqi
The Early Life and Adventures of Sylvia ScarlettMacKenzie, Compton
General
The Early Life and Adventures of Sylvia Scarlett
MacKenzie, Compton
Fiction
For several years Sylvia suffered from being the youngest of many
sisters, and her mother's favorite. When she went to school, she asked
other girls if it were not nicer to have brothers, but the stories she
heard about the behavior of boys made her glad there were only girls in
her house. She had practical experience of the ways of boys when at the
age of eight she first took part in the annual _féerie_ at the Lille
theater. On her first appearance she played a monster; though all the
masks were very ugly, she, being the smallest performer, always got the
ugliest, and with the progress of the season the one that was most
knocked about. In after years these performances seemed like a nightmare
of hot cardboard-scented breath, of being hustled down the stone stairs
from the dressing-room, of noisy rough boys shouting and scrambling for
the best masks, of her legs being pinched, while she was waiting in the
wings, by invisible boys, and once of somebody's twisting her mask
right round as they made the famous entrance of the monsters, so that,
being able to see nothing, she fell down and made all the audience
laugh. Such were boys!
In contrast with scenes of discomfort and misery like these were the
hours when she sat sewing with her mother in the quiet house. There
would be long silences only broken by the sound of her mother's hand
searching for new thread or needle in the work-basket, of clocks, of
kettle on the hob, or of distant street cries. Then her mother would
suddenly laugh to herself and begin a tale so interesting that Sylvia's
own needlework would lie idly on her knee, until she was reproved for
laziness, and silence again inclosed the room. Sometimes the sunset
would glow through the window-panes upon her mother's work, and Sylvia
would stare entranced at the great silken roses that slowly opened their
petals for those swift fingers. Sometimes it would be a piece of lace
that lay on her mother's lap, lace that in the falling dusk became light
and mysterious as a cloud. Yet even these tranquil hours had storms, as
on the occasion when her mother had been working all day at a lace cap
which had been promised without fail to somebody at the theater who
required it that night. At six o'clock she had risen with a sigh and
given the cap to Sylvia to hold while she put on her things to take it
down to the theater. Sylvia had stood by the fire, dreaming over the
beauty of the lace; and then without any warning the cap had fallen into
the fire and in a moment was ashes. Sylvia wished she could have
followed the cap when she saw her mother's face of despair on realizing
what had happened. It was then that for the first time she learned how
much depended upon her mother's work; for during all that week, whenever
she was sent out on an errand, she was told to buy only the half of
everything, half the usual butter, half the usual sugar, and what was
stranger still to go to shops outside the _quartier_ at which Madame
Snow never dealt.
Public-domain text, read in full here on John Shaqi.
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