The Early Short Fiction of Edith Wharton — Part 1 — John Shaqi
The Early Short Fiction of Edith Wharton — Part 1Wharton, Edith
General
The Early Short Fiction of Edith Wharton — Part 1
Wharton, Edith
Fiction; Short stories, American
As I advanced, the dogs separated and slid away into different corners
of the court. I examined the urns on the well, tried a locked door or
two, and up and down the dumb facade; then I faced about toward the
chapel. When I turned I perceived that all the dogs had disappeared
except the old pointer, who still watched me from the empty
window-frame. It was rather a relief to be rid of that cloud of
witnesses; and I began to look about me for a way to the back of the
house. “Perhaps there’ll be somebody in the garden,” I thought. I found
a way across the moat, scrambled over a wall smothered in brambles, and
got into the garden. A few lean hydrangeas and geraniums pined in the
flower-beds, and the ancient house looked down on them indifferently.
Its garden side was plainer and severer than the other: the long
granite front, with its few windows and steep roof, looked like
a fortress-prison. I walked around the farther wing, went up some
disjointed steps, and entered the deep twilight of a narrow and
incredibly old box-walk. The walk was just wide enough for one person to
slip through, and its branches met overhead. It was like the ghost of a
box-walk, its lustrous green all turning to the shadowy greyness of the
avenues. I walked on and on, the branches hitting me in the face and
springing back with a dry rattle; and at length I came out on the grassy
top of the chemin de ronde. I walked along it to the gate-tower, looking
down into the court, which was just below me. Not a human being was
in sight; and neither were the dogs. I found a flight of steps in the
thickness of the wall and went down them; and when I emerged again into
the court, there stood the circle of dogs, the golden-brown one a little
ahead of the others, the black greyhound shivering in the rear.
Public-domain text, read in full here on John Shaqi.
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