Produced by John Hamm THE EARLY SHORT FICTION OF EDITH WHARTON A Ten-Part Collection Volume Two Contents of Part Two Stories AFTERWARD............................January 1910 THE FULNESS OF LIFE..................December 1893 A VENETIAN NIGHT’S ENTERTAINMENT.....December 1903 XINGU................................December 1911 THE VERDICT..........................June 1908 THE RECKONING........................August 1902 Verse BOTTICELLI’S MADONNA IN THE LOUVRE...January 1891 THE TOMB OF ILARIA GIUNIGI...........February 1891 THE SONNET...........................November 1891 TWO BACKGROUNDS......................November 1892 EXPERIENCE...........................January 1893 CHARTRES.............................September 1893 LIFE.................................June 1894 AN AUTUMN SUNSET.....................October 1894 AFTERWARD January 1910 I “Oh, there IS one, of course, but you’ll never know it.” The assertion, laughingly flung out six months earlier in a bright June garden, came back to Mary Boyne with a sharp perception of its latent significance as she stood, in the December dusk, waiting for the lamps to be brought into the library. The words had been spoken by their friend Alida Stair, as they sat at tea on her lawn at Pangbourne, in reference to the very house of which the library in question was the central, the pivotal “feature.” Mary Boyne and her husband, in quest of a country place in one of the southern or southwestern counties, had, on their arrival in England, carried their problem straight to Alida Stair, who had successfully solved it in her own case; but it was not until they had rejected, almost capriciously, several practical and judicious suggestions that she threw it out: “Well, there’s Lyng, in Dorsetshire. It belongs to Hugo’s cousins, and you can get it for a song.” The reasons she gave for its being obtainable on these terms--its remoteness from a station, its lack of electric light, hot-water pipes, and other vulgar necessities--were exactly those pleading in its favor with two romantic Americans perversely in search of the economic drawbacks which were associated, in their tradition, with unusual architectural felicities.