The Early Short Fiction of Edith Wharton — Part 2Wharton, Edith
General
The Early Short Fiction of Edith Wharton — Part 2
Wharton, Edith
Fiction; Short stories, American
“Well, I went off to the house in my most egregious mood--rather moved,
Lord forgive me, at the pathos of poor Stroud’s career of failure being
crowned by the glory of my painting him! Of course I meant to do the
picture for nothing--I told Mrs. Stroud so when she began to stammer
something about her poverty. I remember getting off a prodigious phrase
about the honour being MINE--oh, I was princely, my dear Rickham! I was
posing to myself like one of my own sitters.
“Then I was taken up and left alone with him. I had sent all my traps in
advance, and I had only to set up the easel and get to work. He had been
dead only twenty-four hours, and he died suddenly, of heart disease,
so that there had been no preliminary work of destruction--his face
was clear and untouched. I had met him once or twice, years before, and
thought him insignificant and dingy. Now I saw that he was superb.
“I was glad at first, with a merely aesthetic satisfaction: glad to have
my hand on such a ‘subject.’ Then his strange life-likeness began
to affect me queerly--as I blocked the head in I felt as if he were
watching me do it. The sensation was followed by the thought: if he WERE
watching me, what would he say to my way of working? My strokes began to
go a little wild--I felt nervous and uncertain.
“Once, when I looked up, I seemed to see a smile behind his close
grayish beard--as if he had the secret, and were amusing himself by
holding it back from me. That exasperated me still more. The secret?
Why, I had a secret worth twenty of his! I dashed at the canvas
furiously, and tried some of my bravura tricks. But they failed me,
they crumbled. I saw that he wasn’t watching the showy bits--I couldn’t
distract his attention; he just kept his eyes on the hard passages
between. Those were the ones I had always shirked, or covered up with
some lying paint. And how he saw through my lies!
“I looked up again, and caught sight of that sketch of the donkey
hanging on the wall near his bed. His wife told me afterward it was the
last thing he had done--just a note taken with a shaking hand, when he
was down in Devonshire recovering from a previous heart attack. Just
a note! But it tells his whole history. There are years of patient
scornful persistence in every line. A man who had swum with the current
could never have learned that mighty up-stream stroke....
“I turned back to my work, and went on groping and muddling; then I
looked at the donkey again. I saw that, when Stroud laid in the first
stroke, he knew just what the end would be. He had possessed his
subject, absorbed it, recreated it. When had I done that with any of my
things? They hadn’t been born of me--I had just adopted them....
Public-domain text, read in full here on John Shaqi.
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