The easiest way : $b a story of metropolitan life — John Shaqi
The easiest way : $b a story of metropolitan lifeHornblow, Arthur
General
The easiest way : $b a story of metropolitan life
Hornblow, Arthur
Man-woman relationships -- Fiction; Mistresses -- Fiction; Women -- Conduct of life -- Fiction
Born in Melbourne, of English parents, she came at an early age from
Australia to San Francisco. Her father was connected in a business
capacity with one of the local theatrical companies, and the young girl
naturally drifted to the stage. She had only a mediocre histrionic
talent, but what was perhaps more important, she had uncommon good
looks, and she soon found that beauty was not only a valuable asset,
but a sure lever to success. The critics praised her, not because she
acted well, but because she dressed exquisitely, and pleased the eye.
Managers and authors flattered her. Soon she found, to her amazement,
that she was the success of the hour. Stage Johnnies raved about her;
sent her flowers and invited her to supper; women envied her, and said
spiteful things. Portraits of her in various attitudes appeared in the
newspapers and magazines. In a single night she was carried high on the
top wave of sensational popularity.
The outcome was only logical. Even a virtuous woman could not stand the
strain, and Laura was not virtuous. Of neurotic temperament, inherently
weak, if not actually vicious in character, with the spirit of the
courtesan strong within her from an early age, fond of luxury and
personal adornment she could not legitimately afford, it was not
surprising that she listened to the flatterers and went to the devil
quicker than any woman before her in the whole history of gallantry. At
the end of her first season, her reputation was completely in tatters.
Accepting the situation philosophically, she did not pretend to be
better than she was, but she was clever enough not to cheapen herself
by entangling herself too promiscuously. She had lovers by the score,
yet none could boast of having really won her heart. A woman of
superficial emotions, she was entirely without depth, yet so long as it
suited her purpose, she was able to conceal this shallowness and
profess for the admirer of the moment the greatest affection and
devotion. This is an art and she was an adept at it. Sensually she
quickly attracted men, and it was not long before she became a prime
favorite in the select circles that made such resorts as "The Yellow
Poodle" and "Moreland's" famous, yet in her dissipations she was always
careful not in any way to indulge in excesses which would jeopardize
her physical attractiveness, or for one moment diminish her keen sense
of worldly calculation.
Public-domain text, read in full here on John Shaqi.
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