It is the vague hour when cities awaken. Already the open-air cooks
blow fires under their stoves. Already in the depths of certain
booths a vacillating light illumines nude bodies. In spite of spiked
boards that have been placed flat against openings or hung over
cornices,--huddled in corners in every free space, men stretch and
sleep. Half awake, one scratches his side and stares at us out of the
corner of his eyes with an air of delicious comfort. Another sleeps
so heavily that you would think he was stuck to the stones. An old
man, who has the appearance of being clothed in the scum that forms
on stagnant waters, combs his mangy skull with his two hands. And
finally, I must not forget that beggar with the head of a cannibal--his
wildly disheveled hair bristling like a black bush--who, with one gaunt
knee extended, lies flat under the first rays of morning.
Nothing could be stranger than a town at the hour when it sleeps. These
streets seem like avenues in a necropolis. These houses exude sleep.
And all of them, because of their closed doors, seem to me solemn and
monumental. Every one, in the sleep wherein he is buried, suffers that
singular change which comes over the faces of the dead. Like a little
child with unfocused eyes, who frets and kneads the breast of his nurse
with a feeble hand, the man who sleeps, with a great sigh, presses his
face to the deep earth. Everything is silent because it is the hour
when the earth gives to drink, and no one of her children turns in vain
to her liberal breast. The poor and the rich, the young and the old,
the just and the unjust, the judge with the prisoner, and man like
the animals, all of them drink together like foster-brothers! All is
mystery because this is the hour when Man communicates with his mother.
The sleeper sleeps and cannot be awakened. He holds the breast and will
not let it go. This draught still flows for him.
The street exudes odors of filth and hair.
Now the houses become fewer. We pass groups of banyans; and, in the
pond that they shade, a great buffalo, of which we can only see the
back and the moon-curved horns, stares at us with eyes of heavy stupor.
We pass lines of women going to the fields. When one laughs her mirth
spreads and grows feebler on the four faces that follow, and is effaced
on the fifth. At the hour when the first ray of the sun traverses the
virginal air, we gain the vast and empty plain; and, leaving behind
us the tortuous road, we take our way toward the mountain across the
fields of rice, tobacco, beans, pumpkins, cucumbers, and sugar-cane.
THE GREAT SEA
Public-domain text, read in full here on John Shaqi.
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