Every solid door opens upon less than is shut out by its particular
panels. Many, through progress in the occult, have gained Yamen, the
solitary state, and the court which a great silence fills; but if any
one, after attaining this degree, at the moment when his hand is poised
for a blow on the drum offered to visitors, hears the sound of his name
penetrating the distance like a muffled cry (because the spouse or the
sons of the dead are shouting loudly into his left ear), and if he
vanquishes his fatal languor long enough to draw away one or two steps
from the doors just barely opening to his desire,--his soul will regain
its body. But no melody of a name can rescue those who have taken the
irretrievable step over the secret sill. Without doubt I am in such a
realm, on the shallow stones of this somber pond which surrounds me;
as, standing within its ornate frame, I taste forgetfulness and the
secret of this taciturn garden.
An ancient memory has not more windings or more secret passages
than the road which has led me here, through a succession of courts,
grottoes, and open corridors. The art of this restricted place is to
hide its limits from me by bewildering me. Its undulant walls, which
mount and descend, divide it into separate sections; and, while the
tops of trees and the roofs of houses, showing through, seem to invite
the guest to search out their secrets; these barriers, multiplying
surprises and deceits in his path, lead him further away. Except for a
wise dwarf with a skull like the belly of a gourd, or a pair of young
storks surmounting its ornamental apex, the chalice of the roof shadows
a hall not so deserted but that a half-consumed stick of incense still
smokes there, and a forgotten flower fades. The princess and her old
counselor have only just arisen from yonder seat and the greenish air
is still full of the rustle of illustrious silk.
Fabulous indeed is my habitation! I see, in these walls where the
pierced copings seem to melt away, banks of clouds; and these fantastic
windows are as masses of leaves confusedly seen through the rifts. The
wind, leaving on each side curving streamers, gashes irregular breaches
in the fog. Let me not gather the flower of the afternoon from any
other garden than this, which I enter by a door in the outline of a
vase, of a leaf, of a dragon’s smoking jaws, of the setting sun when
its disk reaches the sea-line, or of the rising moon!
THE RIVER
From the vast and yellow river my eyes return to our leadsman crouching
at the side of the boat. Turning the line in his fist with a regular
motion, he sends the lead in full flight across the muddy waters.
Public-domain text, read in full here on John Shaqi.
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