Our winter here has no severity. Season dear to the philosopher, these
bare trees, this yellow grass, sufficiently attest the passing of the
time, without atrocious cold or unnecessary violence. In this twelfth
month, cemeteries and kitchen gardens, and a country mounded everywhere
with tombs, spread out in dull productivity. The clumps of blue bamboo,
the somber pines above the sepulchers, the gray-green reed-grass,
arrest and satisfy one’s gaze. The yellow flowers of the New Year’s
Candlestick and the waxen berries of the Soot Tree give a real beauty
to the somber picture. I proceed in peace across this temperate region.
Now it is night. It would be vain to wait, stationed in the bow of this
junk, for the reflection of our wooden anchor to trace on the beatified
water the image of that waning moon which only midnight holds for us.
All is dark; but as we move on, propelled by the scull which steers
our prow, we need not fear mistaking our way. These canals permit of
numberless detours. Let us pursue the voyage with tranquillity, our
eyes on yonder solitary star.
THE HALT ON THE CANAL
Now,--passing the place where old men and women congregate, driven from
their far-off villages by the need of food, and traveling on rafts
made of their house-doors, guided by the domestic duck,--encountering
waters which seem as if they were flooded with rice, that they may
fitly enter into a region of opulence; pushing across this large and
rectilinear canal which bounds the rude high wall enclosing the city
and its people, where the exaggerated arch of a bridge frames with
evening the crenelated tower of a gate opening on the dark countryside;
by the wharf we tie up our boat among square stone tombs in the grass,
the crude material of epitaphs.
With day our investigation begins. We become entangled in a maze of
Chinese streets, murky and moist with domestic odors. For a long time
we follow the narrow footpath in the turmoil of the market-place, in
the midst of a people mixed in with their dwellings as bees are with
their wax and honey. I recall a little girl winding a skein of green
silk, a barber cleaning the ear of his client with a fine pincer like
the antennæ of a crawfish; a little donkey turning a millstone near
an oil warehouse, the dark quiet of a pharmacy within whose depths,
through the gilded frame of a moon-shaped door, two red candles flame
before the name of the apothecary. We traverse many courts, more than a
hundred bridges.
Public-domain text, read in full here on John Shaqi.
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