Houses? Yes. Here the very sanctuary is a house. They have relegated
the bones, sealed in a cylinder of bronze, to the high mountainside;
but in this room, seated on the unalterable name, the soul of the
dead continues a spectral habitation in obscure and secret splendor.
Reversing the procedure which employs wood and stone and makes them
of value without adding any strange element to their own properties,
artifice has existed here only to annihilate its material. These
enclosures, the sides of these boxes, these floors and ceilings, are no
longer made of beams and planks but of certain opaque images conjured
forth. Color decorates and adorns the wood, lacquer drowns it under
impenetrable waters, paint covers it with enchantments, sculpture
deeply undermines and transfigures it. An end of timber--the least
spike appearing on the magic surface--is covered with arabesques and
interlacing lines; but, as on screens we see trees in flower and
mountains steeped in a radiant glow, these palaces emerge entirely
golden. On the roofs, on the façades, which strike the full light of
day, only the ridges are burnished with scattered brightness; but the
sides are brightened in vast surfaces through the shadow; and inside
also, the six walls of the box are painted with the splendors of hidden
treasure, flaming brilliance revealed by numerous mirrors.
Thus the magnificent shogun does not inhabit a house of mere wood, but
his dwelling in the center of the forest is in the light of setting
suns; and ambrosial incense abides beneath these sweeping boughs.
Through the immense spaces of this region, deeply slumbering like a god
amid its sea of trees, an occasional dazzling cascade plashes between
the leaves, mingling with their ceaseless whisper.
THE PEDESTRIAN
In June, with a gnarled stick in my hand (like the god Bishamon), I am
that mysterious passer-by who crosses the path of groups of simple,
ruddy peasants; and, at six in the evening, while the storm-cloud in
the sky endlessly continues its monstrous assault on the mountain, I am
that lonely man one sees upon this abandoned road.
Public-domain text, read in full here on John Shaqi.
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