The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 1/3MacGibbon, David
History
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 1/3
MacGibbon, David
Church architecture -- Scotland
transept; but the steps to the sanctuary are believed to have been where
shown on the plan. As already mentioned, the clerestory and vaulting of
the six eastmost bays of the nave was probably executed soon after the
choir was finished, the outer wall of the clerestory being built with
the same whitish stone as the heightened part of the choir. The windows
are small and of plain-pointed form, like those of the choir. Some of
them have the appearance of having been cut up into the vaulting, as if
they had been inserted or heightened after the vaulting was built. It is
to be remarked that while the parapets of the nave and choir are on the
same level on the exterior, the vaulting of the nave is several feet
lower than that of the choir.
The three western doorways (Fig. 241) and the pointed doorway in the
south transept (see Fig. 231) must be assigned to a period rather later
than the choir. The wall containing the three west doorways is built
out
[Illustration: FIG. 241.--Kirkwall Cathedral. West Doorways.]
of the square with the nave walls. It is supposed to have been erected
outside the church, with the view of lengthening it, while the original
west front stood at a point distant one bay from it. The new west wall
seems to have been left unfinished for a considerable time, the upper
part of the west front having, from its style, evidently been built at a
much later period than the doorways. When the new west wall was
completed, the old west front would be removed. This necessitated the
building of the westmost pair of piers. While this operation was in
progress, the next pair of piers and arch above have yielded, and the
piers remain much inclined to the west.
[Illustration: FIG. 242.--Kirkwall Cathedral. Interior of West
Doorways.]
The three west doorways and that in the south transept are specially
remarkable from their presenting probably the finest examples in Great
Britain of the use of coloured stones in the construction. This is
chiefly observable in the exterior, but is also carried out in the
interior of these doorways (Fig. 242). The north doorway (Fig. 245) and
central doorway (Fig. 244) of the west front have the colours arranged
in concentric rings in the arches, red and yellow alternating. In the
south doorway (Fig. 243) the same colours radiate and alternate, and in
the doorway of the south transept the red and yellow stones are arranged
chequerwise. (See Fig. 231.) Fig. 246 shows the plan of the central
doorway.
[Illustration: FIG. 243.--Kirkwall Cathedral. Plan and Elevation of
South Doorway of West End.]
[Illustration: FIG. 244.--Kirkwall Cathedral. Elevation at Central
Doorway of West End.]
[Illustration: FIG. 245.--Kirkwall Cathedral. Plan and Elevation of
North Doorway of West End.]
The shafts have all been detached, as shown in the plans. They have been
renewed; but, as Sir H. Dryden suggests, no doubt correctly, they were
probably at first in red and yellow stone alternately.
Public-domain text, read in full here on John Shaqi.
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