The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 2/3MacGibbon, David
History
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 2/3
MacGibbon, David
Church architecture -- Scotland
From the above quotations from Bower, and Lord Bute’s remarks thereon,
attention is drawn to a number of interesting points connected with the
cathedral and priory, and the names and dates of the priors to whom
certain parts of the structure are due. We gather from them--
1. That the Lady Chapel was situated on the north side of the
choir.
2. That the nave was, to a large extent, rebuilt and roofed by
Prior James Bisset, about the beginning of the fifteenth century,
but remained an “empty synagogue” till completed and furnished with
glazed windows, altars, and decorations by his successor, Prior
Halderston.
This corresponds with the period assigned in the text (pp. 18 and 28)
for the rebuilding of the upper portion of the west end.
3. Numerous other works were carried out by Prior Halderston. He it
was who altered the east end, and introduced the single large
window in place of several smaller ones. He also executed the
pavement of the choir, transept, and cloister walk, and rebuilt the
prior’s palace. He likewise carried out other works, the sites of
which are indefinite; and he obtained for the priory the pastoral
insignia.
According to Lord Bute’s view, a single great arch was thrown across the
nave, between the second pillars from the crossing, above which was a
gallery, where stood the royal throne, surmounted by a baldaquin,
having the altar of the crucifix behind it; while above the canopy
towered the great rood, together with numerous figures. Lord Bute
points, in support of this view, to the example at Frankfort, where an
arch of a single span supported the rood loft and imperial and royal
thrones.
As regards the Commissioner’s or royal throne at St. Giles’, Edinburgh,
it no doubt occupied the centre of the gallery at the west end of the
choir, or “High Church,” when the building was divided into three
churches, and it had a canopy over it. It thus stood in the position
where a rood loft might have been, but the gallery it occupied was an
erection of this century, and did not rest on an ancient base.
EDINBURGH, _October 1896_.
CONTENTS.
PAGE
Introductory remarks--New development of architecture at end of twelfth
century, along with other new developments--Introduction of Pointed
Style succeeded the Transition--Connection with England--Features of
First Pointed Style in Scotland--Central Towers, Cloisters, &c., as in
England--Omission of triforium not unusual--Few parish churches of
First Pointed Period, 1-5
Public-domain text, read in full here on John Shaqi.
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