The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 2/3MacGibbon, David
History
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 2/3
MacGibbon, David
Church architecture -- Scotland
The pointed arch is above referred to at Kelso[8] as having been
introduced, along with Norman elements, at the crossing under the tower,
where its strength was considered useful. The pointed arch, however,
cannot generally be said to have been adopted in Scotland in consequence
of any special requirement of construction; it rather followed the lead
of countries further south as a matter of fashion. Few of our early
churches were vaulted throughout at the beginning of the thirteenth
century, and the forms of such vaults as existed were, doubtless,
borrowed from England. The vaults of the choir of St. Andrews Cathedral
and the lower church of Glasgow Cathedral are probably the only
exceptions, most of our other large churches having been vaulted, if
vaulted at all, at a later period. The large churches were generally
designed to have the side aisles only vaulted, the central aisle being
covered with a wooden roof, as, for example, Arbroath Abbey and Dunblane
and Elgin Cathedrals. Holyrood Abbey is an exception; but there the
vaulting of the central aisle was sexpartite, and the pointed arch was
not much required.
The first pointed style, when introduced into this country, speedily
spread, and most of our large churches are built in that style. Many
monasteries, as we have seen, were founded in the time of the sons of
Queen Margaret; but most of these appear to have been at first on a
small scale, and were chiefly rebuilt on a larger plan, together with
new monasteries, in the thirteenth century. Such are the abbeys of
Holyrood, Inchcolm, Kilwinning, Pluscardine, Culross, and Beauly.
The thirteenth century was also distinguished as the great epoch for the
erection of cathedrals. The secular clergy had then risen to power, and,
under their guidance, the erection of magnificent cathedrals, both at
home and abroad, was the principal architectural phenomenon of the
period. In France and England the great majority of the cathedrals owe
their origin or completion to about this epoch; and in Scotland there
were erected, in whole or part, during the first pointed period, the
cathedrals of St. Andrews, Dunblane, Glasgow (the choir and crypt),
Elgin, Brechin, Dunkeld, Caithness, the choir of St. Magnus’ in Orkney,
and Galloway.
The first pointed style, in which all the above structures were carried
out, reached Scotland, as already mentioned,[9] through England. The
relation between the ecclesiastics of the two countries was then very
close, the monasteries being colonised from English houses, and the
cathedral rules being based on the uses of those of England.
Public-domain text, read in full here on John Shaqi.
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