The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 2/3 — John Shaqi
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 2/3MacGibbon, David
History
The ecclesiastical architecture of Scotland from the earliest Christian times to the seventeenth century; vol. 2/3
MacGibbon, David
Church architecture -- Scotland
The main arcade of the nave (Fig. 492) has consisted of eight bays.
Those of the south side still stand, but on the north side only two
shattered piers survive. The piers are of the simplest form of clustered
columns, each containing a three-quarter round shaft on the four
cardinal angles, with two nook shafts between. The shafts are all
crowned with richly foliaged caps, having rounded abaci. The arch
mouldings consist of rounds and hollows, all deeply marked. From the cap
of the main pier springs a triple vaulting shaft, which runs up through
the triforium and receives the springing of the vaulting ribs on plain
bell-caps some feet below the string course under the clerestory. The
triforium is divided into two arches in each bay by a single central
shaft, springing from a corbel over the apex of each arch of the main
arcade, and running up to the string course beneath the clerestory.
This would appear to indicate that the vaulting was sex-partite, which
view is confirmed by the direction in which the surviving portions of
the groins point.
[Illustration: FIG. 492.--Holyrood Abbey. Interior of West End.]
[Illustration: FIG. 493.--Holyrood Abbey. View from South-East.]
Each arch of the triforium (see Fig. 492) is acutely pointed, and
contains two smaller acutely pointed arches within it, each of which has
an inner trefoiled arch. These arches all spring from single round
shafts, with plain round caps arranged to receive them. The tympanum of
the large arch is pierced with a quatrefoil or trefoil. All the
mouldings are of a bold first pointed character. The triforium, no
doubt, contained the usual passage in the thickness of the wall, which
would tend to weaken the structure. To counteract that tendency, as may
be seen from the south (Fig. 493), strong saving arches have been
introduced to carry the chief pressure across from main pier to main
pier. A similar strengthening arch exists in the outer wall of the
triforium gallery at Amiens Cathedral.
The west end of the edifice has contained the finest work of the
building. The west wall, with its splendid doorway between the two
western towers (Fig. 494), must have presented as bold and ornate a
piece of architecture as was to be found in Scotland.
[Illustration: FIG. 494.--Holyrood Abbey. North-West Tower and West
End.]
The west front is now greatly shorn of its glory, but the portions which
remain only tend to increase the regret for what is gone. As already
mentioned, the south-west tower was removed to allow of the palace being
erected, and even the western doorway is encroached on by
[Illustration: FIG. 495.--Holyrood Abbey. West Doorway.]
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