On July 4, all Europe had been in peace; on July 14, Europe was in full chaos of war. One felt helpless and ignorant, but one might have been king or kaiser without feeling stronger to deal with the chaos. Mr. Gladstone was as much astounded as Adams; the Emperor Napoleon was nearly as stupefied as either, and Bismarck: himself hardly knew how he did it. As education, the out-break of the war was wholly lost on a man dealing with death hand-to-hand, who could not throw it aside to look at it across the Rhine. Only when he got up to Paris, he began to feel the approach of catastrophe. Providence set up no affiches to announce the tragedy. Under one's eyes France cut herself adrift, and floated off, on an unknown stream, towards a less known ocean. Standing on the curb of the Boulevard, one could see as much as though one stood by the side of the Emperor or in command of an army corps. The effect was lurid. The public seemed to look on the war, as it had looked on the wars of Louis XIV and Francis I, as a branch of decorative art. The French, like true artists, always regarded war as one of the fine arts. Louis XIV practiced it; Napoleon I perfected it; and Napoleon III had till then pursued it in the same spirit with singular success. In Paris, in July, 1870, the war was brought out like an opera of Meyerbeer. One felt one's self a supernumerary hired to fill the scene. Every evening at the theatre the comedy was interrupted by order, and one stood up by order, to join in singing the Marseillaise to order. For nearly twenty years one had been forbidden to sing the Marseillaise under any circumstances, but at last regiment after regiment marched through the streets shouting "Marchons!" while the bystanders cared not enough to join. Patriotism seemed to have been brought out of the Government stores, and distributed by grammes per capita. One had seen one's own people dragged unwillingly into a war, and had watched one's own regiments march to the front without sign of enthusiasm; on the contrary, most serious, anxious, and conscious of the whole weight of the crisis; but in Paris every one conspired to ignore the crisis, which every one felt at hand. Here was education for the million, but the lesson was intricate. Superficially Napoleon and his Ministers and marshals were playing a game against Thiers and Gambetta. A bystander knew almost as little as they did about the result. How could Adams prophesy that in another year or two, when he spoke of his Paris and its tastes, people would smile at his dotage?