Children -- Fiction; Fantasy fiction; Paranormal fiction
Outwardly, of course, no definite change was visible in the doings of
the little household. The children said little; they made no direct
reference to his conversion; but the change, though not easily
described, was felt by all. Paul recognised it in every fibre of his
being. Every one, he noticed, understood by some strange freemasonry
that he had been initiated, for every one, he fancied, treated him a
little differently. It was natural that the children should give signs
of increased admiration and affection for their huge new member, but
there was no obvious reason why his sister, and the servants, and the
very animals into the bargain, should regard him with a strain of
something that hesitated between tolerance and tenderness.
If truth were told, they probably did nothing of the sort; it was his
own point of view that had changed. His imagination was responsible for
the rest; yet he felt as though he had been caught into the heart of a
great conspiracy, and the silent, unobtrusive way every one played his,
her, or its part contrived to make him think it was all very real
indeed.
The cats, furry and tender magicians that they are, perhaps interpreted
the change more skilfully and easily than any one else. Without the
least fuss or ceremony they made him instantly free of their world, and
the way their protection and encouragement were extended to him in a
hundred gentle ways gave him an extraordinarily vivid impression that
they, too, had their plans and conferences just as much as the children
had. They made everything seem alive and intelligent, from the bushes
where they hunted to the furniture where they slept. They brought the
whole world, animate and inanimate, into his scheme of existence.
Everything had life, though not the same degree of life. It was all very
subtle and wonderful. He, and the children, and the cats, all had
imagination according to their kind and degree, and all equally used it
to make the world haunted and splendid.
Formerly, for instance, he had often surprised Mrs. Tompkyns going about
in the passages on secret business of her own, perhaps not altogether
good, yet looking up with an _assumption_ of innocence that made it
quite impossible to chide or interfere. (It was, of course, only an
assumption of innocence. A cat’s eyes are too intent and purposeful for
genuine innocence; they are a mask, a concealment of a thousand plans.)
But now, when he met her, she at once stopped and sent her tail aloft by
way of signal, and came to rub against his legs. Her eyes smiled—that
pregnant, significant smile of the feline, shown by mere blinking of the
lids—and she walked slowly by his side with arched back, as an
invitation that he might—nay, that he should—accompany her.
Public-domain text, read in full here on John Shaqi.
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