Children -- Fiction; Fantasy fiction; Paranormal fiction
For his sole companions all these years when he had any at all were the
‘Bosses’ of the lumber camps he inspected, the ‘Cookee’ who looked after
his stew-pot in the ‘home-shack,’ and the half-breed Indian who
accompanied him in the stern-seat of the bark canoe during the
month-long trips about the wilderness: these—with the animals, winds,
stars, and the forms of beauty his imagination for ever conjured out of
them.
For twenty years he lived thus, knowing all the secrets of the woods and
streams. In the summer he never slept under cover at all, so that even
in sleep he understood, through closed eyelids, the motions of the stars
behind the tangled network of branches overhead. In winter his
snow-shoes carried him into the heart of the most dazzling scenes
imaginable—the forest lying under many feet of snow with a cloudless sun
lifting it all into an appearance of magic that took the breath away.
Moreover, the fierce spring, when the streams became impassable floods,
and the autumn, with a flaming glory of gold and scarlet unknown
anywhere else in the world, he knew as intimately as the dryads
themselves.
And all these moods became the intimate companions of his life, taking
the place of men and women. He came to personify Nature as a matter of
course.
Without knowing it, too, the place of children was taken somehow by the
wild animals. He knew them all. He surprised them in their haunts in the
course of his silent journeys into the heart of their playgrounds; and
his headquarters—a one-story shanty on the height of land between his
two chief ‘limits’—was never without a tamed baby bear, a young moose to
draw him on his snow-shoes with the manners of a well-bred pony, and a
dozen other animals reclaimed from savagery and turned by some
mysterious system of his own into real companions and confidants.
And the only books he read in the long winter nights, besides a few
modern American novels that puzzled and vaguely distressed him, were
Blake, his loved Greek plays, and the Bible.
He rarely saw a woman. Sides of his nature that ought to have developed
under the influences of normal life at home lay dormant altogether, or
were filled as best might be by his intercourse with Nature. He wrote
few letters. After Dick Messenger died, the formal correspondence he
kept up at long intervals with his sister—Dick’s widow—hardly deserved
the name of letters. Great slabs of him, so to speak, stopped growing
up, sinking down into the subconscious region to await conditions
favourable for calling them to the surface again, and eventually coming
to life—this was his tragic little secret—at a time when they were long
overdue.
Public-domain text, read in full here on John Shaqi.
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