Before I deal further with this matter, I must examine two principal points in our tongue, of which one is, whether it has material in it for art to build on, because I said that art dealt where she found sufficient matter for her labour. The other is, whether our writing is justly challenged for those infirmities with which it is charged in our time, because I said that this period of our own time seems to be the most perfect period in our English tongue, and that our custom has already beaten out its own rules, ready for the method and framework of art. These two points are necessarily to be considered. For if there be either no material for art owing to the extreme confusion, or if our custom be not yet ripe enough to be reduced to rule, then that perfect period in our tongue is not yet come, and I have entered upon this subject while it is yet too green. However, I hope it will not prove premature, and therefore I will first show that there is in our tongue great and sufficient stuff for art to work upon; then that there is no such infirmity in our writing as is pretended, but that our custom has become fit to receive this framing by art by the method which I have laid down, without any outside help, and by those rules only which may be gathered out of our own ordinary writing. It must needs be that our English tongue has matter enough in her own writing to direct her own practice, if it be reduced to definite precepts and rules of art. The causes why this has not as yet been thoroughly perceived are the hope and despair of those who have either thought upon it and not dealt with it, or have dealt with it but not rightly thought upon it. For some, considering the great difficulty which they found to be in the writing of our language, almost every letter being deputed to many and various--even well-nigh contrary--sounds and uses, and almost every word either wanting letters for its necessary sound, or having more than necessity demands, began to despair in the midst of such a confusion of ever finding out any sure direction on which art might be firmly grounded. Perhaps either they did not seek, or did not know how to seek, the right form of method for art to adopt. But whether difficulty in the search, or infirmity in the searchers, gave cause for this, the parties themselves gave over the thing, as in a desperate case, and by not meddling through despair they fail to help the right.